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  1. Bumpin' (georganiseerd en begeleid door Don Sebesky, met o.m. Cándido Camero) (1965) Smokin' at the Half Note (1965) Goin' Out of My Head (georganiseerd en begeleid Oliver Nelson) (1965) Tequila (georganiseerd en begeleid door Claus Ogerman) (1966) California Dreaming (georganiseerd en begeleid door Don Sebesky) (1966)

    • John Leslie Montgomery
  2. Goin' Out of My Head is an album by American jazz guitarist Wes Montgomery that was released in 1966. It reached No. 7 on the Billboard magazine R&B chart. At the 9th Grammy Awards Goin' Out of My Head won the Grammy Award for Best Jazz Instrumental Album, Individual or Group .

    • November 20 and December 7, 8 & 22, 1965
    • Jazz
  3. Candido Camero and projects which were featured on Billboard magazine's "Hot 100," including "Sugar Sugar", "I Like It Like That," "Watermelon Man," "Be My Baby," "Going Out of My Head." Present works. Recent works include soundtrack segment for "Im Gonna Die Young,But Its Too Late Now ©".(Autobiographical Series) and "Hitman"

  4. Sérgio Santos Mendes ( Brazilian Portuguese: [ˈsɛʁʒju ˈsɐ̃tuz ˈmẽdʒis]; born February 11, 1941) [1] is a Brazilian musician. His career took off with worldwide hits by his band Brasil '66. He has over 55 releases and plays bossa nova heavily crossed with jazz and funk. [1] He was nominated for an Oscar for Best Original Song in 2012 ...

  5. Candido Camero : Congas Bongos: b. 22.4.1921 d. 7.11 2020: Cándido Camero Guerra , known simply as Cándido, was a Cuban conga and bongo player. He is considered a pioneer of Afro-Cuban jazz and an innovator in conga drumming.

  6. 6 mar 2018 · Among those who have appeared on Cubaocho's stage are Giovanni Hidalgo, Cándido Camero, and Orquesta Aragón. click to enlarge Domino players at work in Calle Ocho's Máximo Gómez Park.

  7. www.mosaicrecords.com › the-great-jazz-artists › elvin-jonesElvin Jones - Mosaic Records

    His basic body movement emanates from the back and waist. Nothing is rigid; everything is in motion, producing a flowing, legato style. When Elvin Jones plays, there is a balance between opposites, meaning a strong and centered beat, yet with an unparalleled looseness. A marked fluidity and continuity between his hands and feet is clearly ...