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  1. it.wikipedia.org › wiki › Jūzō_ItamiJūzō Itami - Wikipedia

    Jūzō Itami, pseudonimo di Yoshihiro Ikeuchi, è stato un attore, regista e produttore cinematografico giapponese. I dieci film da lui diretti, tutti scritti di suo pugno, sono satire comiche.

  2. en.wikipedia.org › wiki › Juzo_ItamiJuzo Itami - Wikipedia

    Juzo Itami (伊丹 十三, Itami Jūzō), born Yoshihiro Ikeuchi (池内 義弘, Ikeuchi Yoshihiro, May 15, 1933 – December 20, 1997), was a Japanese actor, screenwriter and film director. He directed eleven films (one short and ten features), all of which he wrote himself.

  3. www.imdb.com › name › nm0411631Jûzô Itami - IMDb

    Jûzô Itami. Writer: The Funeral. A tragic end belies a life led with purpose. The son of a successful filmmaker, Juzo Itami made his name acting in television and films before making a late career shift into screenwriting and directing at age 50.

    • January 1, 1
    • Kyoto, Japan
    • January 1, 1
    • Tokyo, Japan
  4. Jūzō Itami (1933–1997) was a Japanese actor and, later, a popular modern screenwriter and film director. Many critics came to regard him as Japan's greatest director since Akira Kurosawa.

  5. Itami Jūzō (born May 15, 1933, Kyōto, Japan—died Dec. 20, 1997, Tokyo) was a Japanese film director and screenwriter. He had a successful 20-year career as an actor in films such as 55 Days at Peking (1963), an American vehicle, before venturing into directing.

    • The Editors of Encyclopaedia Britannica
  6. 20 dic 2022 · Juzo Itami was just 64 when he passed away on December 20, 1997. Officially his death was ruled a suicide, though many believe something more sinister was at play. Much has been written about that fateful day a quarter of a century ago and we will take a closer look at it as part of our latest article in the Spotlight series.

  7. Directed by Juzo Itami • 1988 • Japan Starring Nobuko Miyamoto, Rentaro Mikuni, Masahiko Tsugawa. Nobuko Miyamoto returns to the role of Ryoko Itakura, the tough-as-nails government tax investigator whom you most definitely don’t want to cross, in Juzo Itami’s energetic, genre-twisting follow-up ...