Risultati di ricerca
Instructions for a Light and Sound Machine: Directed by Peter Tscherkassky. With Clint Eastwood, Lee Van Cleef, Eli Wallach. An attempt to transform a Roman Western into a Greek tragedy.
- (581)
- Short, Western
- Peter Tscherkassky
- 2006-01
Instructions for a Light and Sound Machine. Tscherkassky concentrates on central motifs from Sergio Leone’s classic The Good, the Bad and the Ugly, zeroing in on Eli Wallach stumbling across a vast cemetery and the anti-hero’s head as he dangles from the gallows.
Instructions for a Light and Sound Machine - guarda online: streaming, acquisto or noleggio. Adesso puoi guardare "Instructions for a Light and Sound Machine" in streaming su DocAlliance Films. Puoi anche comprare "Instructions for a Light and Sound Machine" scaricandolo da DocAlliance Films o noleggiarlo online su DocAlliance Films. Sinossi.
- Peter Tscherkassky
- 3
a harrowing call for empathy and responsibility on behalf of storytellers, tscherkassky paints a distressing portrait of the cyclical and nightmarish life of the macho western hero--trapped inside celluloid, forced to walk through an erratic, unhinged valley of violence and death, stalked by the filmmaker and leered at by the viewer. 118 likes.
- (1,8K)
- Peter Tscherkassky
12 giu 2016 · Instructions for a Light and Sound Machine sees Tscherkassky gleaning footage from Leone’s genre classic The Good, the Bad and the Ugly, bending and augmenting it into his own revisionist Western – a Greek tragedy in which the hero meets the conditions of his own possibility.
Sound design by Dirk Schäfer. Synopsis. 'The hero of Instructions for a Light and Sound Machine is easy to identify. Walking down the street unknowingly, he suddenly realizes that he is not only subject to the gruesome moods of several spectators but also at the mercy of the filmmaker.
The hero of Instructions for a Light and Sound Machine is easy to identify. Walking down the street unknowingly, he suddenly realizes that he is not only subject to the gruesome moods of several spectators but also at the mercy of the filmmaker.
