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Dainah the Mulatto (French: Daïnah la métisse) is a 1932 French drama film directed by Jean Grémillon and starring Charles Vanel, Habib Benglia and Gaston Dubosc. [1] [2] [3] Location shooting took place around Nice and Corsica. The film's sets were designed by the art director Jean Lafitte.
23 ago 2012 · His wife, the titular "Dainah the mulatto" (Laurence Clavius) flirts with all the men, making him unhappy. Then she picks the wrong guy, a surly engineer (the ubiquitous Charles Vanel, already a screen veteran) who tries to drag her into a lifeboat.
Scheda film Daïnah la métisse (1932) | Leggi la recensione, trama, cast completo, critica e guarda trailer, foto, immagini, poster e locandina del film diretto da Jean Grémillon con Charles Vanel, Habib Benglia, Gaston Dubosc, Lucien Guérard.
- (3)
- Charles Vanel
- Jean Grémillon
With Habib Benglia, Charles Vanel. On a transatlantic ocean liner, an elegant black magician is forced to watch with chagrin as his wife, “Dainah the Mulatto,” flirts with fellow passengers, including a suspicious, subliterate engineer, Michaud. When Dainah disappears the next day, both men fall under suspicion. A richly strange, haunting work.
Recently viewed. Daïnah la métisse: Directed by Jean Grémillon. With Charles Vanel, Habib Benglia, Gaston Dubosc, Lucien Guérard. Shades of Othello loom in this engrossing exploration of class, race, and murder set on an ocean liner. Young Dainah encounters an engineer on board who mistakes pleasantries for flirtation.
- (275)
- Drama
- Jean Grémillon
- 1932-08-19
Daïnah la métisse. Data di uscita 1931 Drammatico . 55 min. Sur un paquebot de luxe où elle accompagne son mari, Daïnah la métisse use de son charme étrange et de son exotisme troublant. Un soir, sur le pont désert, elle s'amuse à attirer un mécanicien qu'elle repousse en le mordant cruellement. Le lendemain, Daïnah disparaît par dessus bord.
20 nov 2014 · A retrospective devoted to the French filmmaker Jean Grémillion at the Museum of the Moving Image highlights his peculiar blend of fantasy and fatalism.
