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The Breaks is a 1999 American comedy film written by and starring Mitch Mullany and directed by Eric Meza. Plot [ edit ] A Sunday in the life of Derrick King, an Irish kid raised in Compton, California by a black family.
26 feb 1999 · The Breaks: Directed by Eric Meza. With Anthony Anderson, Isaiah Barnes, Max Becker, Paula Bel. Adopted by a black family in L.A., Derrick grows up an Irish white boy who thinks he's black!
- (1,4K)
- Comedy
- Eric Meza
- 1999-02-26
Film The Breaks. Genere: Commedia. Nazione: Stati Uniti d'America. Stile: realistico, semi serio, umoristico e commedia nera. Trama: vita del ghetto urbano, relazioni familiari, culto, uomo nero, discriminazione, cultura, cultura hip hop, interrazziale, gangster, adozione, hip hop e urbano.
Derrick, a racially-confused Irishman raised in the hood by a black family is having the worst day ever. Determined to prove to his fed-up mother and would-be girlfriend that he’s not a screw-up, he sets out to do one thing right (get some milk) and even that proves to be a challenge!
- (202)
- Eric Meza
The Breaks is a film directed by Eric Meza with Anthony Anderson, Isaiah Barnes, Max Becker, Paula Bel .... Year: 1999. Original title: The Breaks. Synopsis: Adopted by a black family in L.A., Derrick grows up an Irish white boy who thinks he's black!
- Carlos González
- Eric Meza
- United States
- Comedy
Directed by: Eric Meza. Stars: Paul Benjamin and George Clinton. IMDb score: 6,1 (1.397) Releasedate: 26 February 1999. US. UK. This movie is not available on US streaming services. Irish teenager Derrick King is raised by a black family and lives in South Central Los Angeles.
Derrick, a racially-confused Irishman raised in the hood by a black family is having the worst day ever. Determined to prove to his fed-up mother and would-be girlfriend that he's not a screw-up, he sets out to do one thing right (get some milk) and even that proves to be a challenge! Hilarious encounters with racist red-neck cops, local gangsters and 'flamboyant' pawn shop owners ensue, and ...
