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Dead Letters is a 2007 independent feature film written and directed by Garrett Clancy, executive produced by Paul Hellweg, produced by Josephina Sykes, and co-produced by Brad Sykes. It stars C. Thomas Howell, Geoffrey Lewis, Kim Darby, Joe Unger and Duane Whitaker.
Dead Letters - short film excerpt. 2006. 13min. Short. Synopsis: On the ‘home front’ in 1943, Ngarie and Gerald sort air graph letterforms destined for New Zealand soldiers abroad. A tiny act of heroism brings together this unlikely pair in an unconventional love story that cleverly blends fact with fiction. Status: Complete, Released. Genre:
Dead Letters - During WWII the Post Office photographed letters, enabling mass mailing to soldiers via rolls of film. Post Office worker Ngaire (Yvette Reid) deals with mail for soldiers serving overseas. On this small, handsomely-framed canvas, writer-director Paolo Rotondo explores how war and distance affect relationships.
- 1 min
A postman in a small Pacific Northwest town's horrifying dreams foretell a prophesy already fulfilled - now replayed in his mind - as penance for the fact that he did nothing to stop their outcome; while he stays on, still delivering the mail, long after everyone in the town is dead and gone - out of guilt and a misguided sense of duty to their ...
Dead Letters is the feature debut of American filmmaker and photographer David Drake. With an incredibly cinematic vision for his film and a keen eye for intimate portraits, we’re confident David will deliver a stunning, festival darling in the vein of films like Nomadland and To Leslie.
Dead Letters is a 2007 independent feature film written and directed by Garrett Clancy, executive produced by Paul Hellweg, produced by Josephina Sykes, and co-produced by Brad Sykes. It stars C. Thomas Howell, Geoffrey Lewis, Kim Darby, Joe Unger and Duane Whitaker.
Dead Letters - During WWII the Post Office photographed letters, enabling mass mailing to soldiers via rolls of film. Post Office worker Ngaire (Yvette Reid) deals with mail for soldiers serving overseas. On this small, handsomely-framed canvas, writer-director Paolo Rotondo explores how war and distance affect relationships.
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