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  1. 9 mar 2023 · CAN and Me: Directed by Michael P. Aust, Tessa Knapp. With Irmin Schmidt, Hildegard Schmidt, Holger Czukay, Brian Eno. What does 'sound' mean? What does 'silence' mean? An intimate, poetic and contrasting portrait of the life and work of Irmin Schmidt, founder of the German band CAN.

    • (84)
    • Documentary
    • Michael P. Aust, Tessa Knapp
    • 2023-03-09
  2. Can And Me ist ein Film von Tessa Knapp und Michael P. Aust. Synopsis: Der deutsche Musiker Irmin Schmidt wurde als Teil der Kölner Band CAN international bekannt, schrieb Opern und wagte...

    • Tessa Knapp
    • 2022
    • Sarah Schygulla
    • 2 min
  3. Zusammen mit gelb markierten Zwischentiteln, die diese flott montierte und weitgehend chronologisch erzählte Heldenreise eines ewig Unkonventionellen klammern, ist Can and Me nicht nur für Freunde des deutschen Krautrock-Wunders der 1960er und 1970er Jahre eine wahre Wunderkammer.

    • (1)
    • Real Fiction Filmverleih
    • Tessa Knapp, Michael P. Aust
  4. Partendo dalla primissima infanzia in seno alla Germania nazista, il film ricostruisce il percorso del compositore da direttore d’orchestra, allievo diretto di Karl-Heinz Stockhausen e György Ligeti, ai CAN, al suo lavoro sulla musica per film, l’opera, e infine al suo amore per la musica elettronica da club.

  5. In the documentary CAN AND ME, the charismatic sound tinkerer looks back on his life and career. The result is an ode to the unconventionality, spontaneity and vision of an extraordinary musician. In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame thanks to hits such as "Vitamin C" and "She Brings The Rain".

  6. CAN and Me is a Documentary directed by Tessa Knapp, Michael P. Aust. Year: 2022. Original title: CAN and Me. Synopsis: In 1968, musician Irmin Schmidt and friends founded the avant-garde band “Can”, which achieved worldwide fame.

  7. The world’s slowest metal band, led by Dylan Carlson, reveals itself through the testimonies of a painful past — heroin use and a connection to Kurt Cobain’s death, a ghost that haunts the enterity of the film — becoming something if not triumphant, at least sublime.