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14 ago 2017 · bel Gance es un cineasta imprescindible para todo amante del séptimo arte. Autor adelantado a su tiempo y abierto a toda experimentación cuando el cine estaba casi en pañales, nos dejó para la posteridad obras inmortales, como la que lo condujo a la fama internacional: "Yo acuso" (1918) o la monumental "Napoleón" (1927).
- 102 min
An epic masterwork of the silent era, Abel Gance’s LA ROUE (“The Wheel”) has in recent years been restored to its complete original form: a four-part, nearly seven-hour melodrama that reaches the heights of Greek tragedy. Séverin-Mars stars as Sisif, a humble railwayman who secretly adopts an infant orphaned in a train disaster.
La Roue (pronounced [la ʁu], 'The Wheel') is a French silent film, directed by Abel Gance, who also directed Napoléon and J'accuse. It was released in 1923. The film used then-revolutionary lighting techniques, and rapid scene changes and cuts.
The Wheel: Directed by Abel Gance. With Gabriel de Gravone, Pierre Magnier, Georges Térof, Séverin-Mars. A railway engineer adopts a young girl orphaned by a train crash. Years later when she starts getting suitors, he grapples with whether or not to tell her the truth about her parentage.
- (2,6K)
- Drama
- Abel Gance
- 1923-02-17
An epic masterwork of the silent era, Abel Gance’s La roue has in recent years been restored to its complete original form: a four-part, nearly seven-hour melodrama that reaches the heights of Greek tragedy. Séverin-Mars stars as Sisif, a humble railwayman who secretly adopts an infant orphaned in a train disaster. Over the years, Sisif lets Norma (Ivy Close) believe she is his biological ...
La frammentazione dell’oggetto, l’oggetto come valore plastico in sé e la sua resa pittorica appartengono ormai da molto tempo alle arti moderne. Abel Gance, con La Roue, ha innalzato l’arte cinematografica al livello delle arti plastiche. Fernad Léger, Fonctions de la peinture, Paris, Gonthier, 1965
29 set 2023 · La roue (1923), the feature Abel Gance made after J’accuse (1919) and before Napoléon (1927), screens in full with a thirty-minute intermission from noon to dinner hour on Saturday at the New York Film Festival and then again next week in two parts: Episodes 1 and 2 on Wednesday and 3 and 4 on Thursday.
