Risultati di ricerca
14 feb 2023 · Mediation Film: Context for creating a paradigm shift - YouTube. Gerry OSullivan, OSullivan Solutions. 328 subscribers. Subscribed. 0. 131 views 1 year ago. Mediation Training Video: The...
- 26 min
- 152
- Gerry OSullivan, OSullivan Solutions
9 ott 2006 · Reel Negotiation: The Good, The Bad, And The Ugly Reflections Of Negotiation And Mediation In Film. By. Peter Adler. Robert Benjamin. October 9, 2006. Almost ten years ago, we did a workshop showing film clips from popular films we thought were relevant to negotiation and conflict management practice.
Unlike interaction, where new content is created in response to something that has just been heard, read or seen, mediation is often about taking the same content and rephrasing it to suit a different context. This paper focuses on mediation. What is.
- Introduction
- An Overview of Phenomenological and Surrealist Approaches to Cinema
- Surrealism
- Spectatorship as “Discovery”: Casebier's “Mediated Realism”
- Discovery in El Avion
- Tracing Continuity of Identity
- Narrative and The Film Experience
- Distraction, Desire and The Emotional in The Interactive Video Experience
During the past decade, as computer-based digital multi-media have provided new forms of expression and communication, a new rhetoric has been adapted from literary analysis to characterize the differences between the reading of “the book” and the reading of “hypertext” or “cybertext” (Aarseth, 1997). The code words used to characterize these emerg...
Phenomenology is a philosophical endeavor concerned primarily with perception and structures of experience. The fundamental project of Husserl's original transcendental phenomenology takes up the “study [of] the conditions of the possibility of consciousness and sense” (Christensen, 1993:750), or, according to Casebier (1991), analyzes and describe...
Surrealism is an ironic transcendence of multiple realities through their juxtapositioning. As Everett (1998, p.149) notes, “surrealist films do not attempt to portray a fantastic world, but a real one in which the fantastic, the merveilleux, is an integral part of the reality.” Surrealism is premised upon the metaphor of film as threshold or passa...
Casebier, in his Film and Phenomenology, launches a full-scale attack on what he refers to as idealist or constructivist approaches to the film experience. Although his generalizations gloss great diversity and sophistication among semiotic, constructionist, deconstructionist and other contemporary film theories, he seems to be motivated by a commi...
Several concepts central to Husserlian transcendental phenomenology provide the conceptual framework for understanding how the spectator perceives the film: noema, noesis and hyletic data, perception, apperception. Hyle or hyletic data are pre-given sense data such as color or sound. When intentional experiences are directed towards hyletic data, t...
Casebier extends his transcendental phenomenological view to the spectator's interpretation of the significance of the represented objects. However, like Sweeney, we would advocate the relevance of another level of film experience and interpretation that cannot be accommodated by Casebier's transcendental phenomenology. To understand how spectators...
We can turn to the phenomenological hermeneutics of Paul Ricoeur to understand the spectator-navigator's sense-making engagement with the interactive video - particularly his detailed study of narrative prefiguration, configuration and refiguration. Ricoeur's understanding of narrative configurations complements the approaches of Kracauer, Casebier...
Central to nearly all understandings of the cinema is the role of desire, pleasure, suspense and the broader emotional dimensions of the filmic experience. Kracauer introduced the notion of distraction into surrealist discourse, the idea that the individual's sensory experience in modern society is distracted and thus contributes to an “impoverishe...
- Tammy L. Bennington
- 2006
1 dic 2020 · Highlights. •. Focus on film subtitles as a distinctive instantiation of cinematic discourse and a distinctive form of translation. •. Comparison of subtitling’s representational potential across different languages. •. Further enquiry into the creative distinctiveness of subtitling as expression; cross-cultural pragmatics perspective. •.
- Marie-Noëlle Guillot
- 2020
Le film documentaire : un outil de médiation interculturelle au service de l’intégration des réfugiés. Cécilia Brassier-Rodrigues. https://doi.org/10.4000/rfsic.6361. Résumé | Index | Plan | Texte | Bibliographie | Notes | Citation | Auteur. Résumés. Français English.
8 nov 2022 · Mediation Goes to the Movies. By David Hoffman. Mediators often say that our services would be more widely used if people saw mediation on TV or in the movies. That may be true, but there’s an additional problem. The few Hollywood scenes in which mediators do appear provide a surprisingly unappealing – and inaccurate ...
