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  1. en.wikipedia.org › wiki › Zhang_XunZhang Xun - Wikipedia

    Zhang Xun ( Chinese: 張勳; pinyin: Zhāng Xūn; Wade–Giles: Chang1 Hsün1; September 16, 1854 – September 11, 1923), courtesy name Shaoxuan ( 少軒 ), art name Songshou Laoren ( 松壽老人 ), nickname Bianshuai ( 辮帥, lit. 'marshal with queue' ), was a Chinese general and Qing loyalist who attempted to restore the ...

  2. it.wikipedia.org › wiki › Zhang_XunZhang Xun - Wikipedia

    Zhang Xun o Chang Hsün (Contea di Fengxin, 16 settembre 1854 – Tientsin, 11 settembre 1923) è stato un generale cinese, artefice di un tentativo fallito di restaurare la monarchia cinese della dinastia Qing durante il periodo dei signori della guerra

  3. Zhang Xun (simplified Chinese: 张巡; traditional Chinese: 張巡; 709 – 24 November 757) was a Chinese general during the Tang dynasty. He was known for defending Yongqiu and Suiyang during the An Shi Rebellion against the rebel armies of Yan , and thus, his supporters asserted, he blocked Yan forces from attacking and capturing ...

  4. On the morning of July 1, 1917, the royalist general Zhang Xun took advantage of the unrest and entered the capital, proclaiming the restoration of Puyi as Emperor of China at 4 am with a small entourage and reviving the Qing monarchy which had been abolished on February 12, 1912.

    • 1-12 July 1917 (12 days)
    • ROC victory
    • Beijing
  5. www.treccani.it › enciclopedia › zhang-xun_(Dizionario-di-Storia)Zhang xun - Enciclopedia - Treccani

    Zhang Xun. Generale cinese (Fengxin, Jiangxi, 1854-Tianjing 1923) dell’ultimo periodo della dinastia Qing (1616-1912). Fu un fedele sostenitore di Yuan Shikai (1859-1916) come presidente della Repubblica di Cina, governatore generale del Liangjiang (1911-12) e governatore militare del Jiangsu (1913) e dell’Anhui (1916-17).

  6. www.wikiwand.com › it › Zhang_XunZhang Xun - Wikiwand

    Zhang Xun[2] o Chang Hsün è stato un generale cinese, artefice di un tentativo fallito di restaurare la monarchia cinese della dinastia Qing durante il periodo dei signori della guerra.

  7. Adhering strictly to tenth-century models, this landscape in the Juran mode is uncompromisingly austere and abstract. Written when Zhang was about fifty, the poem echoes the melancholy of the uninhabited landscape: On the rocky [landscape] pine blossoms fall and bloom again. The mountain Ailanthus, useless [for its timber], has grown to full size.