Yahoo Italia Ricerca nel Web

Risultati di ricerca

  1. Alvin Langdon Coburn (Boston, 11 giugno 1882 – Rhos-on-Sea, 23 novembre 1966) è stato un fotografo statunitense. È stato una figura chiave nello sviluppo del pittorialismo americano. È stato il primo importante fotografo a comprendere il potenziale visuale di un punto di osservazione elevato.

  2. Alvin Langdon Coburn (June 11, 1882 – November 23, 1966) was an early 20th-century photographer who became a key figure in the development of American pictorialism. He became the first major photographer to emphasize the visual potential of elevated viewpoints and later made some of the first completely abstract photographs.

  3. Alvin Langdon Coburn (June 11, 1882 – November 23, 1966) was an early 20th-century photographer who became a key figure in the development of American pictorialism. He became the first major photographer to emphasize the visual potential of elevated viewpoints and later made some of the first completely abstract photographs.

  4. Alvin Langdon Coburn (born June 11, 1882, Boston, Mass., U.S.—died Nov. 23, 1966, Rhos-on-Sea, Denbighshire, Wales) was an American-born British photographer and the maker of the first completely nonobjective photographs.

    • The Editors of Encyclopaedia Britannica
  5. Alvin Langdon Coburn. British, born United States, 1882 - 1966. Biography. Works of Art. Biography. Coburn was introduced to photography by his cousin, the prominent pictorial photographer F. Holland Day, with whom he traveled to Europe in 1900. Coburn first exhibited that year at the London Salon.

  6. Artist: Alvin Langdon Coburn (British, Boston, Massachusetts 1882–1966 Wales) Date: ca. 1917. Medium: Gelatin silver print. Dimensions: 27.2 x 20.6 cm. (10 11/16 x 8 1/8 in.) Classification: Photographs. Credit Line: Gift of Silas R. Mountsier III, 1986. Accession Number: 1986.1008.4

  7. Artist. Alvin Langdon Coburn. (1882 - 1966) British (b. United States) Biography. Alvin Langdon Coburn's work traces photography's transition from Pictorialism to modernism at the turn of the century. Born in Boston, he was given his first camera at the age of eight, but did not photograph seriously until he met F. Holland Day in 1898.