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  1. Sandra Ann King is an American film producer and businesswoman who is known for In the Mouth of Madness, Village of the Damned, Vampires, and Ghosts of Mars, all of which were directed by her husband John Carpenter. Sandy is the co-founder and chief executive officer of Storm King Productions and its division Storm King Comics.

  2. www.imdb.com › name › nm0455253Sandy King - IMDb

    Biography. Awards. Trivia. FAQ. IMDbPro. All topics. Sandy King (II) Script and Continuity Department. Producer. Director. IMDbPro Starmeter See rank. Born Sandra Ann King in Los Angeles, California. Attended the Westlake School, graduating in 1969. She was a Coronet débutante and a member of the Chi Omega Fraternity.

    • January 1, 1
    • 1.73 m
    • Los Angeles, California, USA
    • Sandy King
  3. American director, producer, and businesswoman / From Wikipedia, the free encyclopedia. Sandra Ann King is an American film producer and businesswoman who is known for In the Mouth of Madness, Village of the Damned, Vampires, and Ghosts of Mars, all of which were directed by her husband John Carpenter.

  4. Sandy King. Producer: Village of the Damned. Born Sandra Ann King in Los Angeles, California. Attended the Westlake School, graduating in 1969. She was a Coronet débutante and a member of the Chi Omega Fraternity. She attended UCLA College of Fine Arts, majoring in pictorial arts, and graduating in 1973.

  5. Carpenter has been married to film producer Sandy King since 1990. She produced his films In the Mouth of Madness, Village of the Damned, Vampires, and Ghosts of Mars. She was earlier the script supervisor for Starman, Big Trouble in Little China, Prince of Darkness, and They Live, as well as an associate producer of the latter.

  6. 10 ott 2023 · Horror. John Carpenter's Suburban Screams Producer on Embracing Real-Life Horror for New Series. Sandy King explores an all-new realm with the Peacock series. By Patrick Cavanaugh - October...

  7. One, it’s produced by John Carpenter and his wife, Sandy King. Two, it gives us the return of Carpenter to the director’s chair after 13 years. And three, it gives us premium cinematic scene work interspliced with archival footage, interviews, news clips, photos and more. These aren’t your everyday reenactments, folks.