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Dave Jerden è un produttore discografico e musicista statunitense. Ha prodotto album di artisti come Alice in Chains, Jane's Addiction, Fishbone, Anthrax, The Offspring e Social Distortion. Inoltre ha fatto parte dal 1982 al 1987 della rock band Burning Sensations, protagonista negli anni ottanta con il singolo di successo Belly of ...
Dave Jerden is an American record producer, engineer, and mixer who has worked with artists in various genres including alternative rock, punk rock and metal. However, Jerden has stated that he dislikes the term "producer", preferring to refer to himself primarily as an engineer.
- Recording
- Music
- Packaging
- Release
- Critical Reception
- Personnel
- References
Warner Bros. Records gave Jane's Addiction a list of producers to choose from. The band's frontman, Perry Farrell, appreciated Dave Jerden's work as engineer on David Byrne and Brian Eno's album, My Life in the Bush of Ghosts. Jerden said he "jumped" at the chance to work with the group."I had a demo tape of 18 songs," Jerden recalled, "and I liste...
The writing process varied from song to song. "Some came from Eric's bass lines," noted Navarro, "some from guitar, some came from Perry, some came from drum riffs, and some just came from free-form jams. There was really no formula." Avery wrote several songs, including "Mountain Song", "Had a Dad", "Jane Says", and "Summertime Rolls" (the latter ...
Farrell created the cover image, which features a sculpture of nude female conjoined twins on a rocking chair with their heads on fire. He hired Warner Bros. employees to create the sculpture, but – after learning how to create sculptures by watching them closely – fired them and created the artwork himself. "The idea came from a dream I had," he r...
"Mountain Song" was released as a single; however, MTV refused to air the song's music video owing to a scene containing graphic nudity. Farrell decided to release the video commercially, adding twenty minutes of additional footage to create the Soul Kisshome video. Lack of airplay on MTV and modern rock radio meant Nothing's Shocking sold only 200...
Reviewing Nothing's Shocking for Rolling Stone, Steve Pond praised Jane's Addiction as "the true heir to Led Zeppelin" and called the album "simultaneously forbidding and weighty, delicate and ethereal", while also distinctly more "hardheaded and realistic" in sensibility than Led Zeppelin's music. Los Angeles Times critic Richard Cromelin commente...
Jane's Addiction 1. Perry Farrell– vocals, piano 2. Dave Navarro– electric and acoustic guitars 3. Eric Avery– bass guitar, acoustic guitar 4. Stephen Perkins– drums, percussion Additional musicians 1. Angelo Moore– saxophone 2. Flea– trumpet 3. Christopher Dowd – trombone Recording personnel 1. Dave Jerden– production, mixing, and recording engine...
Bibliography 1. Mullen, Brendan (2005). Whores: An Oral Biography of Perry Farrell and Jane's Addiction. Da Capo Press. ISBN 0-306-81347-5.
25 ott 2015 · Dave Jerden: The 10 Records That Changed My Life. Dave Jerden has produced some of the biggest and most influential albums of the modern rock era, including a pair of discs each for Jane’s Addiction (Nothing’s Shocking, Ritual de lo Habitual) and Alice In Chains (Facelift, Dirt) that qualify him for god-like status.
Ritual de lo Habitual ( Spanish for "Ritual of the Habitual") is the second studio album [5] by American rock band Jane's Addiction, released on August 21, 1990, by Warner Bros. Records. Co-produced by Dave Jerden, it was the band's final studio album before their initial break-up in 1991.
23 ago 2018 · Rock. Jane’s Addiction’s ‘Nothing’s Shocking’: The Oral History of the Album That Made Them Stars (But Almost Broke Them Up First) Perry Farrell, Dave Navarro, Stephen Perkins, Eric Avery and...
12 feb 2019 · By Stephen Hill. ( Metal Hammer ) published 12 February 2019. Alice In Chains debut Facelift was the first grunge album to break into the mainstream. For the band who made it, things would never be the same again. The first time Dave Jerden heard Alice In Chains, he thought they were a mess.
