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  1. Guido Alexander van Driel ( Amsterdam, 21 augustus 1962) is een Nederlands striptekenaar en filmregisseur . Biografie. Van Driel groeide op in Buitenveldert en Zaandam. Nadat zijn poging om tot de Rietveld Academie te worden toegelaten was mislukt [1] studeerde Van Driel geschiedenis, en ontwikkelde hij zichzelf tot illustrator en striptekenaar.

  2. De wederopstanding van een klootzak (English: "The resurrection of a bastard") is a 2013 film by Dutch filmmaker Guido van Driel. The film stars Yorick van Wageningen, Juda Goslinga, and Goua Robert Grovogui; it is one of three films in which Jeroen Willems, who died in 2012, appears posthumously.

  3. Guido van Driel is a Dutch comic artist, illustrator, painter and filmmaker. One of the most original graphic novelists in the Netherlands, he was among the first in his home country to use a more literary approach to the comics medium.

    • Guido van Driel wikipedia1
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  4. Guido van Driel, né à Amsterdam en 1962, est un dessinateur et réalisateur néerlandais. Biographie. Guido van Driel a grandi à Zaandam. Il a étudié l'histoire, avant de devenir dessinateur et illustrateur. La plupart de ses livres sont publiés aux Pays-Bas par l'éditeur Oog & Blik.

  5. en.wikipedia.org › wiki › Bloody_MarieBloody Marie - Wikipedia

    Bloody Marie is a 2019 Dutch action thriller film written and directed by Guido van Driel and Lennert Hillege. It stars Susanne Wolff. In July 2019, it was shortlisted as one of the nine films in contention to be the Dutch entry for the Academy Award for Best International Feature Film at the 92nd Academy Awards, but it was not selected.

  6. 18 feb 2013 · Dutch graphic novelist Guido van Driel adapted one of his own works for his first feature project: The Resurrection of a Bastard [+. ]. The result was the opening film of the recent International Film Festival Rotterdam and was also part of that festival's Tiger Competition.

  7. 20 set 2023 · Guido van Driels fraaie en deels op eigen herinneringen gebaseerde film over een nieuwbouwwijk in de jaren zeventig, Toen we van de Duitsers verloren, is opvallend genoeg in zwart-wit geschoten. Van Driel: ‘In kleur worden de jaren zestig en zeventig al snel campy.’.