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  1. Gunner Møller Pedersen (born 1943) is a Danish composer. Pedersen is best noted for composing the scores to nine of the films of Danish director Nils Malmros including Beauty and the Beast (Skønheden og udyret) in 1983 and Pain of Love (Kærlighedens Smerte) 1992.

  2. Gunner Møller Pedersen (født 5. februar 1943) er en dansk komponist, der blandt andet har komponeret elektronisk musik og filmmusik. Pedersen er uddannet på Det Jyske Musikkonservatorium , hvor han havde Bent Lorentzen , Per Nørgård og Pelle Gudmundsen-Holmgreen som lærere.

  3. Gunner Møller Pedersen. For thirty years Gunner Møller Pedersen (b. 1943) has worked determinedly and uncom-promised to realize a vision of spatial music. This vision prompted him to work with electronics at a time when they were neither fashionable nor easy to work with, and he became one of Denmark's few pioneers in this field.

  4. Gunner Møller Pedersen is a Danish composer. Pedersen is best noted for composing the scores to nine of the films of Danish director Nils Malmros including Beauty and the Beast in 1983 and Pain of Love 1992. He also scored Jørgen Leth's 1976 documentary A Sunday in Hell about the French bicycle race Paris–Roubaix.

  5. Gunner Møller Pedersen (1943-) Gunner Møller studied at the Conservatory of Aarhus from 1963 to 69. He experimented with movable music theatre in 1969 and continued his studies the same year in London. Since 1970 he has been a professional composer in his private electronic studio in Copenhagen.

  6. Gunner Møller Pedersen was born in Århus on February 5th 1943, Denmark, was educated at the Royal Danish Music Academy, Århus, and has also studied in London with Cornelius Cardew. He was been active as a composer since 1966, and in 1970, he established his own label Octopus Studio (3) and studio, Octopus Studio, Copenhagen for film score ...

  7. Gunner Møller Pedersen ( Aarhus, 5 februari 1943) is een Deens componist, pianist en trompettist . Levensloop. Møller Pedersen studeerde muziek aan Det Jyske Musikkonservatorium in Aarhus bij Pelle Gudmundsen-Holmgreen, Per Nørgård en Bent Lorentzen alsook bij Cornelius Cardew in Londen.