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  1. 9 apr 2022 · Mahjong (1996) Mahjong is probably Yangs most globalist movie, one that paints Taipei as a true postmodern and multicultural city. As usual, the film has a layered narrative establishing a web of interconnectivity between its characters.

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  2. en.wikipedia.org › wiki › Edward_YangEdward Yang - Wikipedia

    A Confucian Confusion. Yang's fifth film was A Confucian Confusion (1994), a multi-character comedy set in urban Taiwan, which was nominated for a Palme d'Or and in competition at the 1994 Cannes Film Festival and also garnered a Golden Horse Award for Best Screenplay Originally Written for The Screen.

  3. 19 lug 2023 · All the above are scenes and characters from the films of Edward Yang, a Taiwanese director of great breadth and intimacy who completed just eight-and-a-quarter works before dying of cancer...

    • Alex Jen
  4. www.imdb.com › name › nm0945981Edward Yang - IMDb

    While Hou Hsiao-Hsien's movies dealt primarily with history or Taiwan's countryside, Yang created films analyzing and revealing the many themes of city and urban life. His first major piece was That Day On The Beach (1983), a modernist narrative reflecting on couples and family.

    • January 1, 1
    • Shanghai, China
    • January 1, 1
    • Beverly Hills, California, USA
  5. Edward Yang è un attore cinese, regista, sceneggiatore, musicista, è nato il 6 novembre 1947 a Shangai (Cina) ed è morto il 1 luglio 2007 all'età di 59 anni a Los Angeles, California (USA). Nei suoi 15 anni di carriera come regista ha diretto Yi Yi - ... e uno... e due, Taipei Story e A Brighter Summer Day.

  6. 1. Duckweed (1981 TV Movie) 145 min | Drama. 6.9. Rate. The tale of a country girl who comes to Taipei with dreams of entering the entertainment industry. A 2-part TV movie and part of groundbreaking series "Eleven Women," this is Edward Yang's directorial debut. Director: Edward Yang | Stars: Su-Yun Ko, Ming-Hsiang Tso, Dai Ling Li, An-Ni Shih.

  7. it.wikipedia.org › wiki › Edward_YangEdward Yang - Wikipedia

    Diversamente da Hou Hsiao-hsien, Edward Yang privilegia nel suo cinema la cultura urbana della Taiwan contemporanea, facendo del suo universo metropolitano il messaggio primario della sua stessa forma narrativa e registrando impietosamente il vuoto che si stabilisce fra i suoi personaggi, e tra questi e lo spazio che li circonda.