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Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history.
- Overview
- Art as a reflection of Chinese class structure
- The role of linearity in Chinese art
Chinese art, the painting, calligraphy, architecture, pottery, sculpture, bronzes, jade carving, and other fine or decorative art forms produced in China over the centuries.
The following article treats the general characteristics of Chinese art as a whole. For a detailed discussion of each of the arts mentioned above, see Chinese painting, Chinese calligraphy, Chinese architecture, Chinese pottery, Chinese bronzes, Chinese lacquerwork, Chinese jade, and silk.
One of the outstanding characteristics of Chinese art is the extent to which it reflects the class structure that has existed at different times in Chinese history. Up to the Warring States period (475–221 bce), the arts were produced by anonymous craftsmen for the royal and feudal courts. It is believed that during the Shang and early Zhou periods the production of ritual bronzes was exclusively regulated under the authority of the court, which could grant or withhold authorization for production by regional workshops among the various states or others who paid fealty to the court. Under the careful regulation of court patrons in the Shang and Zhou periods, design features were shared among specialists working in the various media and were remarkably uniform from bronzes to lacquerwares to textiles.
During the Warring States period and the Han dynasty (206 bce–220 ce), the growth of a landowning and merchant class brought new patrons. After the Han there began to emerge the concept of cultural practice as the product of the leisure of the educated gentry, many of whom were amateur practitioners of the arts of poetry, music, calligraphy, and, eventually, painting. At this time a distinction began to arise between the lower-class professional and the elite amateur artist; this distinction would have a great influence on the character of Chinese art in later times. Gradually one tradition became identified with the artists and craftsmen who worked for the court or sold their work for profit. The scholarly amateurs looked upon such people with some contempt, and the visual arts of the literati became a separate tradition that was increasingly refined and rarefied to the point that, from the Song dynasty (960–1279) onward, an assumed awkwardness (zhuo) or understatement (pingdan) in technique was admired as a mark of the amateur and gentleman. As a medium of highly individual expression, painting and calligraphy also became important media of exchange in a social economy where the giving of gifts was central to the building of an interpersonal network. Like skill in letters, poetry, or music, skill and expressive quality in the practice of calligraphy and painting helped establish one’s status in a society of learned individuals.
Since the 3rd century ce, calligraphy, or writing as a fine art, has been considered supreme among the visual arts in China. Not only does it require immense skill and fine judgment, but it is regarded as uniquely revealing of the character and breadth of cultivation of the writer. Since the time when inscribed oracle bones and tortoise shells (China’s oldest extant writing) were used for divination in the Shang dynasty (c. 1600–1046 bce), calligraphy has been associated with spiritual communication and has been viewed in terms of the writer’s own spiritual attunement. It is believed that the appreciation and production of calligraphy requires lofty personal qualities and unusual aesthetic sensitivity. The comprehension of its finer points is thought to require experience and sensibility of a high order.
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The Chinese painter uses essentially the same materials as the calligrapher—brush, ink, and silk or paper—and the Chinese judge his work by the same criteria they use for the calligrapher, basically the vitality and expressiveness of the brush stroke itself and the harmonious rhythm of the whole composition. Painting in China is, therefore, essentially a linear art. The painters of most periods were not concerned with striving for originality or conveying a sense of reality and three-dimensional mass through aids such as shading and perspective; rather, they focused on using silk or paper to transmit, through the rhythmic movement of the brush stroke, an awareness of the inner life of things.
Chinese painting, one of the major art forms produced in China over the centuries. The other arts of China are treated in separate articles. These include Chinese calligraphy, which in China is closely associated with painting; interior design; tapestry; floral decoration; Chinese pottery;
22 nov 2021 · Chinese art is a continental art, it spans the whole of China and has been a creation of the hearts and minds of its people. From the earliest fossil finds to the latest contemporary Chinese art, it has reached the rest of the world in many ways, but undoubtedly has left its imprint as one of the biggest art movements in the world of ...
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- Chinese art history encompasses all the visual arts originating in China and produced by the Chinese cultures and artists. It is marked by many dif...
- Chinese art occurred as early as the Neolithic Age (New Stone Age) dated around 7000 BCE to 1700 BCE. The history of China dates to early prehistor...
- Calligraphy, Painting, and Poetry were some of the main forms of Chinese art. These were also referred to as the “Three Perfections”. Artists would...
- The common characteristics that give Chinese art its nature come from philosophical, religious, and cultural beliefs. Chinese culture has always va...
- Ancient Chinese landscape painting was one of the primary forms of painting, and is often also described as the “highest” form of painting. Artists...
13 ott 2017 · The real arts of merit in China were calligraphy and painting. If the art world today is troubled by a certain snobbishness, then the Chinese were perhaps the first to succumb to questions of what is and what is not art. Follow us on YouTube! There grew up in China a connoisseurship of art so that more and more people became collectors of it.
- Mark Cartwright
Chinese painting (simplified Chinese: 中国画; traditional Chinese: 中國畫; pinyin: Zhōngguó huà) is one of the oldest continuous artistic traditions in the world.
As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This article gives an overview of the many different applied arts of China.
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