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  1. segantini-museum.ch › it › ausstellungen-italienischGerhard Richter:Engadina

    Most­re 〈 Per­ma­nen­te 〈 Tem­pora­nea 〈 Archivo tem­po­renee GERHARD RICHTER: ENGADINA 16. DICEMBRE 2023 FINO AL 13 APRILE 2024 a cura di Die­ter Schwarz NIETZSCHE-HAUS | SEGANTINI MUSEUM | HAUSER & WIRTH ST. MORITZ Ger­hard Rich­ter (nato nel 1932) è uno dei più import­an­ti e famo­si artis­ti con­tem­poranei; le sue ope­re sono…

  2. Art. Richter officially began painting in 1962. Here we give you access to his various works, ranging from oils on canvas to overpainted photographs, and including the historical reference of photographs, Atlas. Discover Richter's versatile oeuvre, ranging from oils on canvas, works on paper, overpainted photographs and Atlas, his collection of ...

  3. Although Gerhard Richter had already begun collecting photographs and press cuttings, he started working on Atlas in the early 1970s by arranging his own and other family photographs on paper. Subsequent to these photographs, he included pictures taken from newspapers and magazines, some of which he used as source images for his 1960s photo paintings [e.g. Sheets: 5–15 ].

  4. Unsere große Herbstausstellung vereint mehr als 130 Arbeiten aus allen Schaffensphasen und Werkgruppen Gerhard Richters. Bei vielen der ausgewählten Arbeiten handelt es sich um Verborgene Schätze: Werke aus Privatsammlungen, die zuvor selten oder sogar noch nie öffentlich gezeigt wurden.

  5. 28 apr 1999 · Gerhard Richter. Peintre Nationalité allemande. Naissance : 1932, Dresde (Allemagne) Lieu(x) de résidence/d'activité : Cologne (Allemagne)

  6. 1964–1970: Le radici del suo lavoro. Affascinato dal rapporto tra pittura e fotografia e già immerso in questa problematica durante gli anni trascorsi all'Accademia di Düsseldorf, Richter fu pioniere di un approccio alla pittura che si sarebbe rivelato fondamentale non solo per la sua carriera ed attività, ma per tutto il discorso ...

  7. Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another.