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Freda Glynn also established the first licensed Aboriginal radio station, Radio 8KIN FM, broadcasting in regional languages. In 2002, she played Grandma Nina in the short film Shit Skin , a drama about a young man who takes his grandmother back to the place of her childhood so that she can reconnect with her surviving family.
The Central Australian Aboriginal Media Association ( CAAMA) is an organisation founded in 1980 to expose Aboriginal music and culture to the rest of Australia. It started with 8KIN-FM, the first Aboriginal radio station in the country. Based in Alice Springs, the organisation is particularly focused on the involvement of the local Indigenous ...
Seine Mutter Freda Glynn ist die Mitbegründerin und erste Direktorin der Central Australian Aboriginal Media Association (CAAMA) und hatte mehrere Jahre für das Imparja Television gearbeitet. Im Alter von 13 Jahren kam Thornton auf die einzige australische Klosterschule in New Norcia in Western Australia , dennoch erklärte er später, er sei sauer auf das Christentum und selbst nie ...
He is the grandson of Freda Glynn, the co-founder of CAAMA. Career. River's work includes writing, direction and cinematography. In 2013, his debut feature documentary, Buckskin, won the Foxtel Australian Documentary Prize. He directed the 2022 six-part prequel series Mystery Road: Origin, and co-wrote several episodes.
Australian. Years active. 1991 – present. Amanda Duthie, Scottish-born [1] Australian, is one of the leading figures in Australia's arts and culture industries and was previously the CEO/Creative Director of the Adelaide Film Festival [2] and CEO of Hybrid World Adelaide. The Adelaide Film Festival is a major screen and cultural event with ...
The title changed, the storyline changed, but one thing remained a constant in Erica Glynn’s new documentary, She Who Must Be Loved: the figure at its centre, her mother, indigenous pioneer ...
1 nov 2018 · L-R: Erica Glynn, Dylan River, Freda Glynn, Warwick Thornton, Tanith Glynn-Maloney. Supplied. ‘Getting on with it’ is a phrase that Freda Glynn uses over and over in her everyday conversation, whether she’s telling off her kids, batting away interviewers, or remembering her life as a single mother of five children during the 1970s.
