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Artists particularly associated with the initiation of this movement included Paul Nash, John Piper, Henry Moore, Ivon Hitchens, and especially Graham Sutherland. A younger generation included John Minton, Michael Ayrton, John Craxton, Keith Vaughan, Robert Colquhoun, and Robert MacBryde (Button 1996). This is a part of the Wikipedia article ...
2 ott 2023 · Neoromanticism was a term that originated in literary theory in the early 19th century to distinguish later kinds of romanticism from earlier manifestations. In music, it was first used by Richard Wagner in his polemical 1851 article "Oper und Drama", as a disparaging term for the French romanticism of Hector Berlioz and Giacomo Meyerbeer from ...
The term neo-romanticism is used to cover a variety of movements in philosophy, literature, music, painting, and architecture, as well as social movements, that exist after and incorporate elements from the era of Romanticism. Pena Palace in Sintra, Portugal one of the points of reference for Neo-Romantic architecture.
Neo-romanticism has been listed as a level-5 vital article in Arts. If you can improve it, please do. Vital articles Wikipedia:WikiProject Vital articles Template:Vital article vital articles: Start: This article has been rated as Start-class on Wikipedia's content assessment scale.
Holy minimalism. Holy minimalism, mystic minimalism, spiritual minimalism, or sacred minimalism are terms, sometimes pejorative, [1] used to describe the musical works of a number of late-twentieth-century composers of Western classical music. The compositions are distinguished by a minimalist compositional aesthetic and a distinctly religious ...
Thomas Cooper Gotch. Autoritratto. Thomas Cooper Gotch ( Kettering, 10 dicembre 1854 – Londra, 1º maggio 1931) è stato un pittore e illustratore inglese, fratello dell' architetto John Alfred Gotch .
25 lug 2017 · Back to Discover. The writer and editor Raymond Mortimer first coined the term ‘Neo-Romantic’ in 1942, defining it, somewhat succinctly, as an ‘expression of an identification with nature’ that he saw common to a number of British artists of the 1930s and early ‘40s. The term is, as it was then, as nebulous as the artistic style it desc.
