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Le calze e i collant compressivi di Juzo sono disponibili nelle varianti di tessuto Juzo Expert per chi si avvicina per la prima volta ai prodotti in tessuto a trama piatta e Juzo Expert Strong per il trattamento degli stadi patologici avanzati. Entrambe le varianti sono inoltre disponibili nelle versioni Silver con azione antibatterica e ...
A Quiet Life (1995), meanwhile, draws inspiration from a novel by Itami’s brother-in-law and childhood friend Kenzaburo Oe. It heads to an unexpectedly dark place as a young woman cares for her older brother who has learning difficulties while her parents are abroad for the summer. Fine and moving films in their own right, these are outliers ...
2 June 1990. ( 1990-06-02) (Japan) Running time. 119 minutes [1] Country. Japan. Tales of a Golden Geisha (あげまん, Ageman), also known as A-Ge-Man, is a 1990 Japanese comedy film directed and written by Juzo Itami. [1] It stars Nobuko Miyamoto as a geisha who brings good luck to her intimate companions (known as an "ageman", from ...
Da Juzo sviluppiamo e produciamo abbigliamento compressivo, bendaggi e ortesi all’avanguardia sotto il profilo scientifico e tecnologico pensati per la terapia delle vene, degli edemi e delle cicatrici e per l’ortopedia. Qui può scoprire cosa contraddistingua i nostri prodotti, quali elevati criteri di qualità soddisfino, in quanti modi ...
Juzo Itami （1933-1997）. In 1984, he debuted as a movie director with “Ososhiki (The Funeral)” at the age of 51, which was highly acclaimed in Japan. He received more than 30 awards for this movie including the Japan Academy Award. By directing this movie, he discovered that he could take advantage of all his experiences as an actor ...
Jūzō Itami en 1992. Jūzō Itami (伊丹 十三, Itami Jūzō?) est un acteur et réalisateur japonais, né le 15 mai 1933 à Kyoto et mort le 20 décembre 1997 à Tokyo. Après avoir été connu au Japon comme acteur, il réalise des comédies satiriques sur la société japonaise.
The son of a successful filmmaker, Juzo Itami made his name acting in television and films before making a late career shift into screenwriting and directing at age 50. Known to choose the subjects of his films through everyday observations, he often followed up significant events in his life with films depicting idiosyncrasies that he felt were unique to the evolving Japanese culture.
