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  1. threat and horror. A surgeon stalks potential victims in order to remove their eyeballs. Victims are kept behind bars in a cellar after being operated on. In one sequence, the surgeon attempts to kidnap a school girl, but is unsuccessful. A car crash results in a girl losing her sight.

  2. Mansion Of The Doomed (1976) – Film Review. By Sarah Morgan. When it comes to making low-budget genre movies, few people – if any – have done it more prolifically than Charles Band. Roger Corman may be better known, but even he has fewer credits to his name. Whether Band’s output is as stylish and influential as Corman’s is, however ...

  3. Within a few weeks, Band managed to raise $300,000, so he decided to use it to fund a feature film. Charles hired writer Frank Ray Perilli and director Michael Pataki, having worked with them on Last Foxtrot in Burbank. Originally titled The Eyes of Dr. Chaney, the film was released in 1976 as Mansion of the Doomed. %

  4. Currently you are able to watch "Mansion of the Doomed" streaming on AMC Plus Apple TV Channel , AMC+ Amazon Channel, AMC+, Shudder, Shudder Amazon Channel, Shudder Apple TV Channel or for free with ads on Tubi TV.

    • 86 min
  5. Overview. An insane surgeon finds himself up to his armpits in eyeballs after guilt prompts him to begin removing the eyes of abducted people in hopes of performing transplants on his daughter who lost her own in a car-accident he caused. Michael Pataki. Director.

  6. 24 dic 2020 · De sfeer en spanning zat er van minuut 1 al dadelijk in, en deze verdween gedurende film helemaal niet. Ook de effecten waren voor de 70's best wel ok evenals de acteerprestaties. Veel goor is er niet te bespeuren, maar soms is het gedacht achter de film al goed om je even te doen slikken. Mansion of the doomed is moeilijk te catalogiseren.

  7. 10 feb 2022 · “If produced today, Mansion of the Doomed would be given a faction of the budget (and talent), then slapped with a punny title; something like Eye of the Beholder or Eye See You. With that in mind, it’s easy to appreciate the film for what it is: a flawed (the redundant midsection gets especially tiring) but enjoyable ‘70s B-movie.”