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How to Beat the High Cost of Living is a 1980 American crime comedy film starring Jane Curtin, Susan Saint James and Jessica Lange. Also in the cast are Dabney Coleman, Fred Willard, Richard Benjamin, Eddie Albert, Scott Elliott, Cathryn Damon, and a cameo by Jane Curtin's fellow Saturday Night Live co-star Garrett Morris. The film was released in summer of 1980, grossing approximately US$7.5 ...
9 mag 2011 · May 9, 2011. The High Cost of Living is yet another example of the high cost (for moviegoers) of lowered production barriers for aspiring filmmakers. In this excruciatingly clichéd Montreal-set saga, in which every twist proves as contrived and implausible as the last, writer-director Deborah Chow opens by crosscutting between New York ...
Available on Pluto TV, Peacock, Prime Video, Tubi TV, Amazon Freevee, Plex. One night, Henry (Zach Braff) and Nathalie's (Isabelle Blais) lives tragically collide. The impact of their choices forces them both to confront loss, love and life, and decide if the high cost of living is worth the price. Drama 2010 1 hr 37 min.
Synopsis. The story of a young, pregnant woman whose world falls apart when she loses her child in a hit and run accident. As her life unravels, Nathalie finds an unlikely protector in Henry, a down and out guardian angel who has followed her thread. But Henry is not quite the angel he seems….
first assistant camera (as David Diano) Howard Mase Hector. ... grip best boy (as Howard Hector) Mako Koiwai. ... second assistant camera (as Frederick Makoto Koiwai) Leonard Lookabaugh. ...
Striking Flashback Structure. Besides the Dickensian melodrama on poverty and a narrative involving union organizing and a suggestion of a strike after the protagonist is refused his protests to the boss, Alice Guy's Solax one-reeler "The High Cost of Living" is also interesting for a plot from 1912 that consists of a flashback as told by a character in his trial for murder in a courtroom.
9 set 2011 · But Henry has his own problems. His past misdeeds are catching up to him and he soon discovers that he is no longer able to outrun his past or his present. The inevitable impact of his choices force both Henry and Nathalie to confront loss, love and life, and to ultimately decide whether the high cost of living is worth the price. (Tribeca Film)
