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  1. Marie Laurencin (31 October 1883 – 8 June 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.

  2. HISTORY. Painting women of Paris, Marie Laurencin occupied a unique place amongst the painters working in the beginning of this century. Through her encounter with Guillaume Appolinaire, a poet, and her acquaintance with Georges Braque, Pablo Picasso and their circle, she was introduced to the Cubism and Fauvism movements and yet remained ...

  3. Beginning in the early 20th century, French artist Marie Laurencin (1883–1956) created a unique pictorial world that placed women at the center of modern art. With a highly original painting style that defied categorization, she moved seamlessly between the male-dominated cubist avant-garde, lesbian literary and artistic circles, and the ...

  4. seguire il mercato per collezione o investimento; fare approfondimenti e verifiche. Aste dell'artista LAURENCIN Marie (pittore) con 3802 immagini, prezzi, quotazioni, specialmente stampa e opera in serie, dipinto.

  5. Marie Laurencin. Influenced at the beginning of her career by the stylisation of Cubism and by the work of Picasso’s Black Period, Marie Laurencin (1885-1956) was involved with all the avant-garde movements of the period, and her picture “Apollinaire and his friends” of 1909 dates from her liaison with that poet.

  6. www.columbusmuseum.org › marie-laurencin-sapphic-parisMarie Laurencin: Sapphic Paris

    Wednesdays@2: Marie Laurencin’s Sapphic Circles of Influence. July 10, 2:00–3:00 PM. Art historian Tara Keny will present the lecture, “Marie Laurencin’s Sapphic Circles of Influence.”. Lesbian artistic and literary circles thrived in early-twentieth-century Paris. One key figure was the writer and socialite Natalie Clifford Barney.

  7. 3 mar 2024 · Marie Laurencin (1883-1956) was a female painter active in the first half of the twentieth century. She is often introduced as a Cubist, but she is a presence who does not fit the art-historical narrative focused on avant-garde art movements and isms.

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