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Our Online Magazine. At the Eames Institute, design is a way of seeing, thinking, acting, and reacting to the world around us. Inspired by the Eameses’ insatiable curiosity, Kazam! Magazine offers stories about people, projects, and ideas that are shaping a better tomorrow.
DATE - 1950. Case Study House #9, the Entenza House, was designed for Arts & Architecture owner and editor John Entenza as part of his innovative Case Study House program. The property is situated in the Pacific Palisades next door to the Eames House on a bluff overlooking the Pacific Ocean.
Eames Elephant. During the famed molded plywood experiments which produced classics like the Eames LCW, the Eames Office designed a playful group of animals as toys or furniture for children: including the Eames Elephant. Three of the animals, the frog, bear, and seal, were mocked up in metal, while the elephant was initially prototyped in ...
Time magazine called the LCW “the chair of the century". It was first made available to the public in 1946, and we still make it in the same configuration today. In 1945, as the sense grew that the war was coming to a close, the Eames Office, now two years old and some 15 people strong, turned its attention away from wartime work and back to furniture.
Glimpses of the U.S.A. Film. This film was the centerpiece of the American National Exhibition in Moscow for the 1959 USSR-USA cultural exchange, the first between the two countries since the Russian Revolution. The Eameses were assigned the task of introducing Russians to “a day in the life of the United States.”. To do this, they ...
Eames® Molded Plywood Lounge Chair with Wood Base. $ 1,195. Declared the “Best Design of the 20th Century” by Time magazine, this chair by Charles and Ray Eames is still crafted using the groundbreaking plywood molding techniques the duo invented in the early 1940s. Shop Now.
Today’s Eames Office extends the communication and educational aspects of Charles and Ray’s legacy by carefully archiving and digitizing these historic photographs. While our archives are not open to the public or digitized for online use, we encourage researchers, writers, curators, designers, and others to contact our staff about our ...
