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25 feb 1999 · This book is a bold theoretical account of the role of emotions and cognition in producing the aesthetic effects of film and television genres. It argues that film genres are mental structures that integrate sensations, emotions, and actions, activating the viewer's body and mind. Using recent developments in neuroscience and cognitive science ...
25 ott 2013 · Published in Print: 2013-10-25. This study provides a semiotic theorization of how emotion is represented in film to complement the cognitive approach, which focuses on how film elicits emotion from viewers. Drawing upon social semiotic theories and cognitive theories of emotion, we develop a multimodal framework in which filmic representation ...
Metaphor, Bodily Meaning, and Cinema. Special issue of Image [&] Narrative 15 (1). Coëgnarts, Maarten, and Peter Kravanja. 2015a. “Embodied Cinematic Subjectivity: Metaphorical and Metonymical Modes of Character Perception in Film.” In Embodied Cognition and Cinema, edited by Maarten Coëgnarts and Peter Kravanja, 221–244.
Keywords: Film studies, Film perception and cognition, Affordance, Audience research. 1. Introduction The film has been seen as the witness of history, culture,
Music cognition seldom completely loses sight of the fact that music is an art and for this reason it may provide a better path to film structure than does linguistics. 10 Disney’s Fantasia (Cook, 1998) or the Canadian National Film Board’s Norman McLaren give examples of animations with music structure but what is sought is a film that begins with plot rather than with music.
This a simpler metaphor than the film promises, but it nevertheless works effectively. The layers collapse in on one another not unlike the revolving camera in The Manchurian Candidate' s garden club scene, with mise-en-scene slowly giving way to one of the Vega's youth conditioning facilities. As a short film, Cognition is highly ambitious.
The study of film and its effect on human development has been a hotly debated and ever-growing field over the years. The study of film and its effect on human development has been a hotly debated and ever-growing field over the years, but it was Arthur P. Shimamra who coined the term "psychocinematics" to examine the way films affect our mental processes.
