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  1. Below the Waste est le sixième album du groupe de musique britannique the Art of Noise. C'est leur dernière contribution au label China Records . Outre une reprise du James Bond Theme , certains morceaux ont été réalisés avec le groupe Zoulou Mahlathini and the Mahotella Queens , ce qui constitue leur premier album incluant de la world music .

  2. en.wikipedia.org › wiki › Anne_DudleyAnne Dudley - Wikipedia

    Anne Jennifer Dudley ( née Beckingham; born 7 May 1956) is an English composer, keyboardist, conductor and pop musician. She was the first BBC Concert Orchestra 's Composer in Association in 2001. [1] She has worked in the classical and pop genres, as a film composer, and was one of the core members of the synth-pop band Art of Noise.

  3. en.wikipedia.org › wiki › Art_of_NoiseArt of Noise - Wikipedia

    Art of Noise (also The Art of Noise) were a British avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. [2] The group had international Top 20 hits with its interpretations of "Kiss ...

  4. Biography. Anne Dudley is a musician, composer, arranger and producer. Her work crosses the pop and classical worlds in a unique way. Early Years. She studied music for 3 years at the Royal College of Music gaining a Performer’s Diploma and was awarded the B. Mus prize for the highest marks in her year. This was followed by a year at King’s ...

  5. About. Over the course of a varied career, Anne has won an Oscar, a Grammy, a Brit and an Ivor Novello. Her work spans the classical and pop genres and she has collaborated with many leading artists over the years. She was a founding member of the 1980s electronic music group Art of Noise, whose pioneering experiments in sound remain ...

  6. "Below The Waste", on the other hand, sees them shifting down the tempo, introducing both African influences and giving Anne Dudley more time and space to develop her arrangements for orchestras, as well as plopping in a few jagged croutons of metallic Art of Noise-esque doodles here and there, with a lot of clattering and banging but no innovation.