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  1. Eugen Schüfftan (1893 - 1977) was the creator of the special effects for Fritz Lang's silent classic "Metropolis". His more radical experiments, utilizing custom techniques of optical printing with partially transparent mirrors, have never been seen. In this 1927 experiment, Schüfftan transforms footage from a love scene from "Metropolis ...

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    • Kurt Ralske
  2. Internationally prominent cinematographer Eugen Schüfftan designed many innovative special camera effects, notably the Schüfftan Process by which filmmakers were able to blend shots of miniatures with live action via a special mirror. The technique was used in films such as Lang's Metropolis (1926) and Hitchcock's Blackmail (1929).

  3. Eugen Schüfftan (Q213821) Eugen Schüfftan. German cinematographer (1893-1977) Eugen Shuftan. edit. Language. Label. Description. Also known as.

  4. 1886 - 1977. The cinematographer Eugen Schüfftan was not only famous as a cinematographer but also for his technical innovations of special effects. One innovation was called after him "Schüfftan-Verfahren" which he invented together with Ernst Kunstmann. This invention made it possible to save a lot of money for huge scenery by using a ...

  5. 25 feb 2023 · The Schüfftan process is a movie special effect that involves using a mirror to assemble an image from multiple parts, popularized by Eugen Schüfftan in the film Metropolis (1927). It was widely used in the first half of the 20th century before being replaced by matte shots and chroma key. The technique consists of covering part of the camera's view with a mirror, allowing filmmakers to ...

  6. From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz ...

  7. Eugen Schüfftan (Breslau, 21. jul 1893 - New York, 6. septembar 1977) bio je njemački direktor fotografije, najpoznatiji kao tvorac tzv. Schűfftanovog procesa , odnosno specijalnog efekta koji je omogućio korištenje glumaca u minijaturnim setovima.