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Allelujah. Composer: George Fenton. Score Engineer & Mixer: Mat Bartram. Discuss booking Studio 2 or any other room at AIR Studios for your project: Alison Burton or Charlotte Matthews – bookings@airstudios.com. The acoustic design and monitoring of Studio 2 make it one of the best mix rooms in the world for film scores and music.
Built in 1884 by Alfred Waterhouse, architect of the Natural History Museum, Lyndhurst Hall is now one of the world’s largest recording rooms. The live area accommodates a full symphony orchestra and choir simultaneously, with an inspiring acoustic that musicians love. The flexibility of the space is perfect for film scoring, orchestral ...
Inside AIR Studios. Thirty years ago, visionary producer Sir George Martin saw the need for a London studio that could record cinematic film scores. Lyndhurst Hall at AIR remains a favourite destination for Hollywood composers, rock bands and pop stars, and it's just emerged from a stunning renovation. Sound On Sound visited the converted ...
Studio 1 is a perfect recording space for bands and small orchestral groups. The airy, naturally-lit space of the live room – a former lecture hall – has a versatile acoustic thanks to its moving wall. In the control room is AIR’s legendary custom Neve console, complemented with an enviable array of classic outboard.
AIR Mastering specialises in all formats of analogue and digital mastering, providing high-end audio services to the global music industry. From independent artists to major labels and cult TV soundtracks to Hollywood blockbusters, our team has the craft and vision to enhance your release. Explore this page to find out more about our team ...
19 lug 2021 · This iconic recording studio, now a ruin, is located on the island of Montserrat close to Antigua. George Martin, a record producer nicknamed the Fifth Beatle, already owned a successful recording studio in London. But the lure of the Caribbean was strong, and in 1977, when Martin visited the island, he was hooked on its beauty.
It’s a magical place”. That magic is not only visible but audible. The natural acoustics in the main hall are a favourite of composers like Daniel Pemberton, who recorded the score for the Oscar-winning animated film Spider-Man: Into the Spider-Verse at AIR: “I love it for percussion. It's just got a really great sort of natural reverb in ...
