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  1. 6 mag 2024 · True to Guadagnino’s brief, Challengers (Original Score) offers a smorgasbord of thumping club sounds, from electroclash (“Yeah x10”) to synth-pop to fast and functional techno.

  2. 29 apr 2024 · With “Challengers,” Trent Reznor and Atticus Ross continue to build on their legacy as composers who deeply understand the power of music in film. Their score is not merely an accompaniment to the narrative but a fundamental component of the storytelling, offering a richer, more nuanced understanding of the film’s themes and characters.

  3. 18 mag 2024 · Atticus Ross e Trent Reznor servono un arsenale forsennato al ritmo di techno e con Challengers dimostrano ancora il loro talento conquistando le posizioni più alte del ranking compositivo. Nine Inch Nails , abbreviato NIN , è il nome coniato dal dinamico duo, o meglio, il nome della one-man band fondata da Reznor nel 1988 e alla quale Ross si è congiunto ufficialmente a partire dal 2016 ...

  4. 3 mag 2024 · Challengers, the new Luca Guadagnino film, aka the horny tennis blockbuster, is topping the box office with sexed-out psychodrama. And while much of it plays out in a luxurious, slow motion reverie, the film’s score is the ace. Composers Trent Reznor and Atticus Ross hit the perfect counterpoint with skittering synths and pulsing ...

  5. 30 apr 2024 · Challengers (Original Score) was scored by Trent Reznor and Atticus Ross for the Luca Guadagnino film of the same name. It was released on digital on April 26, 2024. It was preceded by a continuous remix album created by DJ Boys Noize and released on digital on April 12, 2024.

  6. 11 mag 2024 · It’s a masterful directorial decision. Watching Challengers, it feels like the movie is in love with this music. It will suddenly, abruptly start playing during dialogue scenes, sometimes almost drowning out the actors. In turn, the songs here are interrupted by various noises - an alarm, or the thwack of a tennis ball.

  7. 15 mag 2024 · score. Scoring anything from high-octane Fincher epics such as The Social Network, (2010) The Girl with the Dragon Tattoo (2011) and Gone Girl (2014) to Bird Box (2018) and all the way to animated Pixar efforts such as Soul; (2020) the duo have proved time and time again, that they are far from a goth-metal-alternative-industrial-one-trick-pony.