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  1. en.wikipedia.org › wiki › Andrew_LauAndrew Lau - Wikipedia

    Andrew Lau Wai-keung (Chinese: 劉偉強, born 4 April 1960) is a Hong Kong film director, producer, and cinematographer. Lau began his career in the 1980s and 1990s, serving as a cinematographer to filmmakers such as Ringo Lam, Wong Jing and Wong Kar-wai.

  2. it.wikipedia.org › wiki › Andrew_LauAndrew Lau - Wikipedia

    Andrew Lau Wai-keung (4 aprile 1960) è un regista, produttore cinematografico e direttore della fotografia hongkonghese. Ha iniziato la sua carriera negli anni 1980 e 1990 prestando servizio come direttore della fotografia per registi come Ringo Lam , Wong Jing e Wong Kar-wai .

  3. www.imdb.com › name › nm0490487Andrew Lau - IMDb

    Andrew Lau. Cinematographer: Infernal Affairs. Andrew Lau Wai-Keung was born in Hong Kong in 1960, and has been fond of photography as a child. He joined Shaw Brothers (HK) Ltd. after secondary school graduation. The first film he participated in as a semi-skilled worker in cinematography was Legendary Weapons of China directed by Chia-Liang Liu.

    • January 1, 1
    • 1 min
    • Hong Kong
  4. Andrew Lau Wai-Keung was born in Hong Kong in 1960, and has been fond of photography as a child. He joined Shaw Brothers (HK) Ltd. after secondary school graduation. The first film he participated in as a semi-skilled worker in cinematography was Legendary Weapons of China directed by Chia-Liang Liu.

    • April 4, 1960
  5. Andrew Lau Wai-keung (Chinese: 劉偉強, born 4 April 1960) is a Hong Kong film director, producer, and cinematographer. Lau began his career in the 1980s and 1990s, serving as a cinematographer to filmmakers such as Ringo Lam, Wong Jing and Wong Kar-wai.

  6. 18 ago 2022 · Andrew Lau Wai-keung accepts his best film trophy for Infernal Affairs at the 22nd Hong Kong Film Awards. Behind (from left to right): Anthony Wong (best supporting actor), Alan Mak (best...

  7. 15 nov 2022 · Infernal Affairs and its two successors, all three directed by Andrew Lau Wai-keung and Alan Mak, may derive their conceptual cool and philosophical gravity from the Buddhist notion of “continuous hell,” but for the moment Chen and Lau are ensconced in a shimmering consumerist purgatory.