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  1. A writer of murder novels adopts a new identity to track down the hit-and-run driver who killed his son. Along the way he falls in love with a beautiful film star, and a series of disastrous complications take their course. Cast. Narciso Ibáñez Menta as Felix Lane; Laura Hidalgo as Linda Lawson; Guillermo Battaglia as Jorge Rattery

    • Silvio Vernazza
    • 28 May 1952
    • Laura Hidalgo, Román Viñoly Barreto
  2. The Beast Must Die: Directed by Román Viñoly Barreto. With Narciso Ibáñez Menta, Guillermo Battaglia, Milagros de la Vega, Nathán Pinzón. When his child is hit by a car, a writer of thrillers is desperate to avenge his death and goes in search of the murderer.

    • (509)
    • Film-Noir, Mystery, Thriller
    • Román Viñoly Barreto
    • 1952-05-28
  3. 24 feb 2024 · The beast must die - Film (1952) | il Davinotti. Titolo originale: La bestia debe morir. Anno: 1952. Genere: thriller (bianco e nero) Regia: Román Viñoly Barreto.

    • (1)
    • Narciso Ibáñez Menta
    • Román Viñoly Barreto
  4. The Beast Must Die, 1952 – Heart Of Noir. 2nd tier. Editor's Ranking. 4.0. Average User Rating. Your Watchlist. 1952. Argentina. 95 minutes. Argentina Sono Film S.A.C.I. Cast + Crew. Román Viñoly Barreto. Laura Hidalgo, Narciso Ibáñez Menta, Carmelo Vecchione. Narciso Ibáñez Menta, Román Viñoly Barreto. Cecil Day-Lewis (novel) Alberto Etchebehere.

  5. Based on a novel of the same name — one that was also the basis of Claude Chabrol's 1969 film This Man Must Die) — The Beast Must Die is an overheated Argentine noir about a man mourning his dead son through murder.

    • (676)
    • Esmeralda Film
    • Román Viñoly Barreto
  6. The Beast Must Die (1952) | MUBI. /10. 19 Ratings. Awards & Festivals. Mar del Plata International Film Festival. 2012. Seattle International Film Festival. 2020. Viennale. 2022. Cast & Crew. Show all ( 13) Román Viñoly Barreto Director, Screenplay. Narciso Ibáñez Menta Screenplay, Producer, Cast. Laura Hidalgo Producer, Cast.

  7. The Beast Must Die is an Argentinian film noir from 1952. And the first 20 minutes, where the patriarch of a family is murdered and everyone is a suspect, felt much less like an American cool film noir, and more like a telenovela. The murder victim is so loathsome, he should have been twirling his mustache.