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  1. en.wikipedia.org › wiki › Fucking_SmilersFucking Smilers - Wikipedia

    Smilers (pronounced Fucking Smilers) is the seventh studio album by singer-songwriter Aimee Mann. It was released by SuperEgo Records in the UK on June 2, 2008, and in the US on June 3. Upon the week of its release the album was featured as the Virgin Megastore "Pick of the Week."

  2. it.wikipedia.org › wiki › Fucking_SmilersFucking Smilers - Wikipedia

    Smilers (ossia Fucking Smilers) è il settimo album discografico in studio della cantautrice statunitense Aimee Mann, pubblicato nel 2008. Tracce. Tutte le tracce sono di Aimee Mann tranne dove indicato. Freeway – 3:50; Stranger into Starman – 1:31; Looking for Nothing – 3:46; Phoenix – 3:56; Borrowing Time – 3:12

  3. genius.com › albums › Aimee-mannAimee Mann - @#%&*! Smilers Lyrics and Tracklist | Genius

    Lullaby (B-side) Lyrics. About “@#%&*! Smilers”. Mann’s seventh studio album, released on her own label Superego Records. As for the album’s name: …“the genesis of the title came from ...

  4. www.youtube.com › playlistAimee Mann Fucking Smilers - YouTube

    Share your videos with friends, family, and the world

  5. www.discogs.com › master › 107211-Aimee-Mann--SmilersAimee Mann - @#%&*! Smilers | Releases | Discogs

    2004 — Europe. CD —. Album, Enhanced. Explore the tracklist, credits, statistics, and more for @#%&*! Smilers by Aimee Mann. Compare versions and buy on Discogs.

  6. www.discogs.com › release › 3642647-Aimee-Mann--SmilersAimee Mann – @#%&*! Smilers (2008, CD) - Discogs

    Aimee Mann "Freeway". 3:57. View credits, reviews, tracks and shop for the 2008 CD release of "@#%&*! Smilers" on Discogs.

  7. www.slantmagazine.com › music › aimee-mann-and-smilersReview: Aimee Mann, @#%&*! Smilers - Slant Magazine

    Aimee Mann’s sixth studio album proper, @#%&*! Smilers, sounds much like the rest of her solo catalog. Mann’s melodies have become slightly predictable: biting lyrics are often coupled with a familiar minor chord progression, her bridges are still bombastic and frequently more memorable than her choruses, and so forth.