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  1. Anne Bracegirdle (possibly 1671 – 12 September 1748) was an English actress. Biography. Bracegirdle was born to Justinian and Martha (born Furniss) Bracegirdle in Northamptonshire. She was baptised in Northampton on 15 November 1671, although her tombstone says that she died at the age of 85 (suggesting that she was born around 1663). [1] .

  2. Anne Bracegirdle ( 1671 – 12 settembre 1748) è stata un' attrice teatrale inglese . Indice. 1 Biografia. 2 Note. 3 Altri progetti. 4 Collegamenti esterni. Biografia [ modifica | modifica wikitesto] Della sua vita pochi dati si hanno certezza, anche la sua data di nascita non è sicura.

  3. Anne Bracegirdle (born c. 1671—died 1748, London, England) was an actress, one of the earliest on the English stage. Bracegirdle studied acting with Thomas Betterton, her guardian, and appeared on the stage as early as six years of age.

    • The Editors of Encyclopaedia Britannica
  4. Anne Bracegirdle s Mad Songs 5 choosing the over-thirty, been-around-the-block Monfredo over himself. Her performance in a tragedy first caught his interest; this play, John Banks' The Unhappy Favourite (1682), was scheduled for performance on the day of Mountfort s murder.7 When Montano admits his love to her backstage, how-

  5. 18 mag 2024 · Actor. Anne Bracegirdle, actress and singer, is buried in the east cloister of Westminster Abbey. The stone has been re-cut and reads: ANNE BRACEGIRDLE died 12 September 1748 aged 85 years. She was the daughter of Martha Furniss and Justinian Bracegirdle and was baptised in Northampton in 1671.

    • Actor
  6. Anne Bracegirdle (c.1671–1748) Anne Bracegirdle was one of the first important female figures of the London stage during a transitional period in the history of theatre in Britain. At the height of her career the playwrights Nicholas Rowe (1674-1718) and William Congreve (1670-1729) were writing roles especially suited to her talents.

  7. Anne Bracegirdlerenowned actress, astute businesswoman, and, most famously, a virgin—appears repeatedly in the literature as the spokeswom an for this paradoxical position. And why not? With juicy tales of murder, kidnapping, obsessive desire, and unbreachable purity, Bracegirdle's biogra phy seems theatrical in itself.