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  1. Sanford Meisner, chiamato anche Sandy, ( New York, 31 agosto 1905 – Sherman Oaks, 2 febbraio 1997 ), è stato un attore, insegnante e direttore artistico statunitense, noto per il suo metodo d'insegnamento della recitazione, tra i più stimati e utilizzati negli USA: The Meisner Technique [1] .

  2. Sanford Meisner (August 31, 1905 – February 2, 1997) was an American actor and acting teacher who developed an approach to acting instruction that is now known as the Meisner technique. While Meisner was exposed to method acting at the Group Theatre , his approach differed markedly in that he completely abandoned the use of affective memory ...

  3. 14 mar 2022 · An in-depth guide to the Meisner technique—including famous Meisner actors, a history of Sanford Meisner, and how to use his repetition acting exercises.

    • Alex Ates
  4. 13 mag 2024 · Sanford Meisner was an actor and one of the most influential teachers of acting in the United States after World War II (1939–45). Building on the method of acting popularized by Konstantin Stanislavsky, Meisner developed what became known as the Meisner Technique.

    • The Editors of Encyclopaedia Britannica
  5. 23 gen 2019 · Una fra le più famose di queste tecniche utilizzate soprattutto negli USA è il metodo Meisner, dal nome di chi lo ha elaborato, Sanford Meisner, attore e insegnante di recitazione statunitense morto nel 1997 che fu tra i più apprezzati al mondo, nonostante non abbia scritto libri né propagandato la sua attività.

  6. 2 feb 1997 · Sanford Meisner. August 31, 1905 - February 2, 1997. Sanford "Sandy" Meisner taught acting for over 60 years. He was one of the original members of the legendary Group Theatre. He continually innovated in his classroom as he searched for the most simple, direct, and effective way to train each individual actor in the difficult craft of acting.

  7. The Meisner technique is an approach to acting developed by American theatre practitioner Sanford Meisner. The goal of the Meisner approach is for the actor to not focus on themselves and instead concentrate on the other actors in the immediate environment.