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  1. Hans Guido Freiherr von Bülow (Dresda, 8 gennaio 1830 – Il Cairo, 12 febbraio 1894) è stato un direttore d'orchestra, pianista e compositore tedesco dell'epoca romantica. Fu uno dei maggiori direttori d'orchestra del XIX secolo, e la sua attività in questo campo fu fondamentale per l'affermazione e il successo di molti famosi compositori ...

  2. Freiherr Hans Guido von Bülow (8 January 1830 – 12 February 1894) was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner ...

  3. Hans von Bulow, German pianist and conductor whose accurate, sensitive, and profoundly musical interpretations, especially of Richard Wagner, established him as the prototype of the virtuoso conductors who later flourished. He was also an astute and witty musical journalist.

    • The Editors of Encyclopaedia Britannica
  4. Hans Guido Freiherr von Bülow (* 8. Januar 1830 in Dresden; † 12. Februar 1894 in Kairo) war ein deutscher Klavier virtuose, Dirigent, Kapellmeister und Komponist, der unter anderem in München, Hannover, Meiningen, Hamburg und Berlin wirkte. Als Dirigent der Meininger Hofkapelle und der Berliner Philharmoniker erwarb er bleibenden Ruhm.

  5. 6 gen 2015 · Learn about the life and career of Hans von Bulow, a prominent musician of the Romantic era who taught Mahler and premiered Wagner's operas. Find out how he influenced Mahler's Symphony No. 2 and his relationship with Liszt, Wagner and Cosima.

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  6. Learn about Hans von Bülow, the eccentric and influential conductor who led the Berliner Philharmoniker from 1887 to 1892. Discover his legacy, his relationship with Richard Strauss and Clara Schumann, and his successor Arthur Nikisch.

  7. Hans von Bülow, der Uraufführungsdirigent des Tristan und geniale Beethoven- und Brahms-Interpret, verkörperte zu seiner Zeit den modernen Typ des Dirigenten: exzentrisch in der Gestik, kompromisslos, analytisch in der musikalischen Arbeit, ausdrucksstark im künstlerischen Ergebnis. Äußerlich nicht attraktiv, aber von vollendeter Eleganz ...