2012
Risultati di ricerca
Biografia. Il suo lavoro più noto è Il pianista ( The Pianist) ( 2002 ), diretto da Roman Polański, per il quale ha vinto il premio César, l' European Film Award e ha ottenuto una candidatura all' Oscar . Filmografia. Gluchy telefon, regia di Piotr Mikucki (1991) Kroll, regia di Wladyslaw Pasikowski (1991) Listopad, regia di Lukasz Karwowski (1992)
Paweł Edelman (born 26 June [citation needed] 1958) is a Polish cinematographer. He is known for his collaborations with acclaimed directors Roman Polanski and Andrzej Wajda. He was named Best European Cinematographer in 2002 at the European Film Awards for his work on The Pianist, for which he also won the César Award for Best ...
YearTitleDirector20232023Roman Polanski2022Joachim Back2019Paweł Edelman (ur. 26 czerwca 1958 w Łodzi) – polski operator filmowy. Kilkakrotnie zajmował się realizacją reklam. Życiorys. Ukończył filmoznawstwo na Uniwersytecie Łódzkim oraz Wydział Operatorski w PWSFTviT w Łodzi (1990). Nagrody i odznaczenia. W 2003 nominowany do Oscara za zdjęcia w filmie Pianista.
6 Photos. Pawel Edelman was born on 26 June 1958 in Lódz, Lódzkie, Poland. He is a cinematographer, known for The Pianist (2002), Oliver Twist (2005) and The Ghost Writer (2010). More at IMDbPro.
- January 1, 1
- 1 min
- Lódz, Lódzkie, Poland
5 giorni fa · Paweł Edelman ukończył kulturoznawstwo na Uniwersytecie Łódzkim oraz Wydział Operatorski PWSFTviT w Łodzi. Jest laureatem wielu nagród, między innymi został uhonorowany już za swój debiutancki film dokumentalny 'Kopalnia Wujek' oraz za pierwszy film fabularny 'Kroll' w reżyserii Władysława Pasikowskiego, za zdjęcia do ...
A Polish cinematographer mostly known for his collaborations with acclaimed directors Roman Polanski and Andrzej Wajda. He was nominated for Academy Award, an American Society of Cinematographers Award (ASC) and BAFTA Award. Apart from The Pianist, his credits include also films like Katyń, Oliver Twist or All the King’s Men.
Artists & Works Index. Multimedia. A cinematographer who believes that every story told in a film requires the cameraman to take a different approach. The diversity of his work testifies to his professional maturity.
