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James Mitchell Leisen ( Menominee, 6 ottobre 1898 – Los Angeles, 28 ottobre 1972) è stato un regista, scenografo, costumista produttore cinematografico statunitense . Indice. 1 Biografia. 2 Riconoscimenti. 3 Filmografia. 3.1 Cinema. 3.1.1 Regista. 3.1.2 Aiuto regista / associate director. 3.1.3 Scenografo. 3.1.4 Costumista. 3.1.5 Produttore.
James Mitchell Leisen (October 6, 1898 – October 28, 1972) was an American director, art director, and costume designer . Film career. He entered the film industry in the 1920s, beginning in the art and costume departments.
YearTitleProduction Co.Cast1933Dorothea Wieck / Evelyn Venable1934George Raft / Carole Lombard1934Fredric March / Evelyn Venable1934Victor McLaglen / Jack Oakie / Carl ...Mitchell Leisen è un attore statunitense, regista, scenografo, costumista, è nato il 6 ottobre 1898 a Menominee, Michigan (USA) ed è morto il 28 ottobre 1972 all'età di 74 anni a Los Angeles, California (USA). Nei suoi 34 anni di carriera come regista ha diretto La spia del lago, La morte in vacanza e A ciascuno il suo destino.
Leisen, Mitchell. Regista cinematografico statunitense, nato a Menominee (Michigan) il 6 ottobre 1898 e morto a Woodland Hills (California) il 28 ottobre 1972.
Mitchell Leisen was born on 6 October 1898 in Menominee, Michigan, USA. He was a director and art director, known for Death Takes a Holiday (1934), The Mating Season (1951) and Hold Back the Dawn (1941). He was married to Stella Yeager. He died on 28 October 1972 in Woodland Hills, Los Angeles, California, USA.
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- Menominee, Michigan, USA
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- Woodland Hills, Los Angeles, California, USA
7 mag 2024 · Mitchell Leisen (born October 6, 1898, Menominee, Michigan, U.S.—died October 28, 1974, Los Angeles, California) was an American costume designer, art director, and film and television director. He was considered a “woman’s director” by dint of the affinity he demonstrated for actresses.
8 giu 2021 · Mitchell Leisen: The forgotten legacy of a queer filmmaker. Tuesday, June 8, 2021 at 1:00PM. by Cláudio Alves. Sometimes, a writing project can take a life of its own, overwhelming you. That's what happened to me when trying to write about Old Hollywood director Mitchell Leisen.
