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Joaquim Pedro de Andrade (Rio de Janeiro, 25 maggio 1932 – Rio de Janeiro, 10 settembre 1988) è stato un regista e sceneggiatore brasiliano, uno dei padri del Cinema Novo, celebre movimento cinematografico che rinnovò il cinema brasiliano.
Joaquim Pedro de Andrade (Rio de Janeiro, 25 de maio de 1932 — 10 de setembro de 1988) foi um cineasta brasileiro.
Joaquim Pedro de Andrade (May 25, 1932 – September 10, 1988) was a Brazilian film director and screenwriter. He was a member of the Cinema Novo movement in Brazil. Andrade is best known for his 1969 film Macunaíma, based loosely on the novel of the same title by Mário de Andrade.
YearOriginal TitleEnglish Release TitleLanguage (s)1959O Mestre de Apipucos †The Master of ApipucosPortuguese1959O Poeta do Castelo †The Poet of CasteloPortuguese1960Couro de Gato ‡Cat SkinPortuguese1962Garrincha: Hero of the Jungle / ...PortugueseJoaquim Pedro de Andrade was born on 25 May 1932 in Rio de Janeiro, Brazil. He was a director and writer, known for Macunaima (1969), Guerra Conjugal (1974) and The Brazilwood Man (1982). He was married to Cristina Aché, Sarah de Castro Barbosa and Ana Maria Galano.
- January 1, 1
- Rio de Janeiro, Brazil
- January 1, 1
- Rio de Janeiro, Brazil
6 set 2009 · Joaquim Pedro de Andrade was born in the then-capital city of Rio de Janeiro on 25 May 1932, son of Rodrigo Mello Franco de Andrade, a respected writer and intellectual, and founder of the city’s Instituto do Patrimônio Histórico e Artístico Nacional (Institute for National Artistic and Historical Heritage).
- Michael Talbott
Joaquim Pedro de Andrade was a Brazilian film director and screenwriter. He was a member of the Cinema Novo movement. Andrade is best known for his 1969 film Macunaíma, based loosely on the novel of the same title by Mário de Andrade.
15 ott 2023 · Its creator, Joaquim Pedro de Andrade (1932-1988), was one of best directors of the cinema novo movement and this is his most ground-breaking work. Emerging in the early 1960s, the movement was characterised by its commitment to engaging with Brazil’s socio-political reality and a desire to innovate a cinematic language beyond all ...
