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Stan Brakhage ( Kansas City, 14 gennaio 1933 – Victoria, 9 marzo 2003) è stato un regista statunitense, considerato uno dei maggiori e più influenti filmmakers sperimentali del XX secolo . Indice. 1 Biografia. 2 Filmografia parziale. 3 Pubblicazioni. 4 Bibliografia. 5 Collegamenti esterni. Biografia.
Stan Brakhage. James Stanley Brakhage ( / ˈbrækɪdʒ / BRAK-ij; [2] January 14, 1933 – March 9, 2003) was an American filmmaker. He is considered to be one of the most important figures in 20th-century experimental film .
- Stan Brakhage
- 2003
Stan Brakhage was born on 14 January 1933 in Kansas City, Missouri, USA. He was a director and cinematographer, known for The Loom (1986), The God of Day Had Gone Down Upon Him (2000) and Dog Star Man (1964). He was married to Marilyn Jull and Jane Wodening. He died on 9 March 2003 in Victoria, British Columbia, Canada.
- January 1, 1
- Kansas City, Missouri, USA
- January 1, 1
- Victoria, British Columbia, Canada
The dean of American experimental filmmakers, Stan Brakhage (1933–2003) created more than 300 films during his half-century engagement with cinema, and in the process he redefined our understanding of the medium. While Brakhage labored in diverse genres—from documentaries and psychodramas to poetic meditations and hand-painted abstractions ...
Enciclopedia del Cinema (2003) Brakhage, Stan. Bruno Di Marino. Regista cinematografico statunitense, nato a Kansas City (Missouri) il 14 gennaio 1933. Considerato uno dei massimi autori del cinema sperimentale, ha diretto in quasi cinquant'anni di attività circa duecentocinquanta film, di vario formato e lunghezza, con i quali ha esplorato ...
12 gen 2023 · Film as light; film as music; film as painting; film as seeing: from our November 1993 issue, Stan Brakhage speaks about his prolific career as an experimental filmmaker. 12 January 2023 By Suranjan Ganguly
Profile. Works. References. Related. Stan Brakhage (January 14, 1933 – March 9, 2003) was an non-narrative filmmaker. He is regarded as one of the most important experimental filmmakers of the 20th century. He worked with various kinds of celluloid: 16mm, 8mm, 35mm, and IMAX, and was a practitioner of what he referred to as ' pure cinema '.
