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  1. Mackie Messer – Brechts Dreigroschenfilm (Arbeitstitel: Brechts Dreigroschenfilm) ist ein deutsch-belgischer Spielfilm von Joachim A. Lang aus dem Jahr 2018 mit Lars Eidinger, Tobias Moretti, Hannah Herzsprung und Robert Stadlober in den Hauptrollen. Der Film soll den Versuch der Umsetzung des künstlerisch und politisch radikalen ...

  2. 13 set 2018 · Regia di Joachim Lang . Un film con Jesse Albert, Peri Baumeister, Christian Bronchart, Henry Buchmann, Marcus Calvin . Cast completo Titolo originale: Dreigroschenfilm . Titolo internazionale: Mack the Knife - Brecht's Threepenny Film . Genere Drammatico - Germania , 2018 , durata 130 minuti.

    • Joachim Lang
    • Jesse Albert
  3. 13 set 2018 · Original title: Dreigroschenfilm. 2018. 2h 10m. IMDb RATING. 6.5 /10. 714. YOUR RATING. Rate. Play trailer 2:21. 1 Video. 9 Photos. Biography Drama. Against many odds, Bertolt Brecht's "The Threepenny Opera" becomes a phenomenal success.

    • (711)
    • Biography, Drama
    • Joachim Lang
    • 2018-09-13
  4. Scheda film Mackie Messer - Brechts Dreigroschenfilm (2018) | Leggi la recensione, trama, cast completo, critica e guarda trailer, foto, immagini, poster e locandina del film diretto da Joachim Lang con Lars Eidinger, Tobias Moretti, Hannah Herzsprung, Joachim Krol

    • Joachim Lang
    • Lars Eidinger
  5. 13 set 2018 · Joachim Lang. Director, Screenplay. Following the phenomenal success of “The Threepenny Opera”, the film industry wants to win over the celebrated author. But Bertolt Brecht is not prepared to play by their rules. His concept of the “Threepenny Film” is radical, uncompromising, political, and incisive.

  6. 3 ago 2018 · http://www.cineplexx.at/film/mackie-messer-der-dreigroschenoperfilm/Originaltitel: Mackie Messer- Brechts DreigroschenfilmLand/Jahr: DEU/2018Genre: DramaDars...

    • 2 min
    • 1938
    • Cineplexx
  7. Following the phenomenal success of “The Threepenny Opera”, the film industry wants to win over the celebrated author. But Bertolt Brecht is not prepared to play by their rules. His concept of the “Threepenny Film” is radical, uncompromising, political, and incisive.