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9 ott 2006 · In fact, most movies have been downright hostile to negotiation, favoring armed force as the preferred means of revenge and conflict management. Current day movies, many unfortunately not great by any cinematic or creative standard, continue to foster resistance to negotiation and mediation.
14 feb 2023 · 131 views 1 year ago. Mediation Training Video: The Context for Creating a Paradigm Shift – 26 mins Information on advanced mediation training on questions:...
- 26 min
- 131
- Gerry OSullivan, OSullivan Solutions
- Introduction
- An Overview of Phenomenological and Surrealist Approaches to Cinema
- Surrealism
- Spectatorship as “Discovery”: Casebier's “Mediated Realism”
- Discovery in El Avion
- Tracing Continuity of Identity
- Narrative and The Film Experience
- Distraction, Desire and The Emotional in The Interactive Video Experience
During the past decade, as computer-based digital multi-media have provided new forms of expression and communication, a new rhetoric has been adapted from literary analysis to characterize the differences between the reading of “the book” and the reading of “hypertext” or “cybertext” (Aarseth, 1997). The code words used to characterize these emerg...
Phenomenology is a philosophical endeavor concerned primarily with perception and structures of experience. The fundamental project of Husserl's original transcendental phenomenology takes up the “study [of] the conditions of the possibility of consciousness and sense” (Christensen, 1993:750), or, according to Casebier (1991), analyzes and describe...
Surrealism is an ironic transcendence of multiple realities through their juxtapositioning. As Everett (1998, p.149) notes, “surrealist films do not attempt to portray a fantastic world, but a real one in which the fantastic, the merveilleux, is an integral part of the reality.” Surrealism is premised upon the metaphor of film as threshold or passa...
Casebier, in his Film and Phenomenology, launches a full-scale attack on what he refers to as idealist or constructivist approaches to the film experience. Although his generalizations gloss great diversity and sophistication among semiotic, constructionist, deconstructionist and other contemporary film theories, he seems to be motivated by a commi...
Several concepts central to Husserlian transcendental phenomenology provide the conceptual framework for understanding how the spectator perceives the film: noema, noesis and hyletic data, perception, apperception. Hyle or hyletic data are pre-given sense data such as color or sound. When intentional experiences are directed towards hyletic data, t...
Casebier extends his transcendental phenomenological view to the spectator's interpretation of the significance of the represented objects. However, like Sweeney, we would advocate the relevance of another level of film experience and interpretation that cannot be accommodated by Casebier's transcendental phenomenology. To understand how spectators...
We can turn to the phenomenological hermeneutics of Paul Ricoeur to understand the spectator-navigator's sense-making engagement with the interactive video - particularly his detailed study of narrative prefiguration, configuration and refiguration. Ricoeur's understanding of narrative configurations complements the approaches of Kracauer, Casebier...
Central to nearly all understandings of the cinema is the role of desire, pleasure, suspense and the broader emotional dimensions of the filmic experience. Kracauer introduced the notion of distraction into surrealist discourse, the idea that the individual's sensory experience in modern society is distracted and thus contributes to an “impoverishe...
- Tammy L. Bennington
- 2006
Negotiation movies are films that highlight negotiation scenes such as The Negotiator, A Hijacking, and The Godfather. Movies dedicated to negotiation provide real-world scenarios, offering practical insights into the complexities of negotiation.
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- A negotiation movie is a movie that highlights negotiation scenes as important scenes.
- The best negotiation movies are those where the plot is centered around an important negotiation.
- In Psychology, the "Big Five" personality traits that play a big part in negotiation are extroversion, agreeableness, conscientiousness, neuroticis...
- Will Hunting – Genio ribelle. Will (Matt Damon) ha vent’anni, un passato costellato di piccoli reati e un presente che trascorre bighellonando per il quartiere con gli amici d’infanzia e pulendo i pavimenti del dipartimento di matematica del MIT (Massachusetts Institute of Technology).
- Un sogno per domani. Che cosa vuole il mondo da noi? È questa domanda posta dal professore di scienze sociali (Kevin Spacey), che cambierà per sempre la vita di Trevor, ragazzino di undici anni dalla mente brillante e con una complicata situazione famigliare alle spalle.
- Assassinio sull’Orient Express. Un assassinio, un uomo d’affari trovato morto nella sua cuccetta all’interno di un treno che sfreccia per l’Europa, tutti i passeggeri di quella carrozza sono sospettati, l’ispettore Poirot (Kenneth Branagh) dovrà ricorrere a tutta la sua abilità per scoprire chi è il colpevole.
- Invictus – L’invincibile. Nelson Mandela (Morgan Freeman) è stato liberato dopo 27 anni di prigionia ed è ora Presidente del Sud Africa. Il suo obiettivo è riappacificare la popolazione divisa dall’odio fra neri è bianchi.
Unlike interaction, where new content is created in response to something that has just been heard, read or seen, mediation is often about taking the same content and rephrasing it to suit a different context. This paper focuses on mediation. What is.
Narrative Mediation in Self-Reflexive Fiction Films. In P. Hühn, W. Schmid & J. Schönert (Ed.), Point of View, Perspective, and Focalization: Modeling Mediation in Narrative (pp. 259-278). Berlin, New York: De Gruyter.
