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  1. Serious Charge (U.S.: A Touch of Hell, also known as Immoral Charge) is a 1959 British film, directed by Terence Young and starring Anthony Quayle, Sarah Churchill, Andrew Ray and Irene Browne. It was produced and co-written by Mickey Delamar and Guy Elmes, and adapted from the 1956 stage play of the same name by Philip King.

  2. Serious Charge: Directed by Terence Young. With Anthony Quayle, Sarah Churchill, Andrew Ray, Irene Browne. A vicar falsely accused of assaulting a youth attempts to prove his innocence and save his reputation.

    • (270)
    • Drama
    • Terence Young
    • 1960
  3. www.bfi.org.uk › film › dd3c9273-ac6c-5bee-93b6-3bba966d2ce8Serious Charge (1959) | BFI

    31 mag 2024 · Wayward teens and malicious accusations spell disaster for a young vicar. Released two years before Victim, following a slight relaxation in censorship rules, Serious Charge was the first British feature with an (obliquely) homosexual theme.

  4. Serious Charge è un film britannico del 1959 diretto da Terence Young. Trama [ modifica | modifica wikitesto ] Questa sezione sull'argomento film è ancora vuota .

  5. Summaries. A vicar falsely accused of assaulting a youth attempts to prove his innocence and save his reputation. Howard Phillips, a vicar who's new in the town of Bellington, wants to reach out to youth. The previous vicar's daughter, Hester Peters, who fears being a spinster, wants to be his wife. He tells her he's not interested.

  6. Serious Charge is a film directed by Terence Young with Anthony Quayle, Sarah Churchill, Andrew Ray, Irene Browne .... Year: 1959. Original title: Serious Charge. Synopsis: Howard Phillips, a vicar who's new in the town of Bellington, wants to reach out to youth.

  7. Overview. Howard Phillips, a vicar who's new in the town of Bellington, wants to reach out to youth. The previous vicar's daughter, Hester Peters, who fears being a spinster, wants to be his wife. He tells her he's not interested. When he confronts a tough kid about something the youth has done, the lad sets out to frame the vicar.

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