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  1. Frances Teresa Stewart, duchessa di Richmond e Lennox (8 luglio 1647 – 15 ottobre 1702), fu un membro di spicco della Corte della Restaurazione e famosa per aver rifiutato di diventare un'amante di Carlo II. Per la sua grande bellezza era nota come La Belle Stuart e funse da modello per l'idealizzazione di Britannia

  2. Frances Teresa Stewart, Duchess of Richmond and Lennox (8 July 1647 – 15 October 1702) was a prominent member of the Court of the Restoration and famous for refusing to become a mistress of Charles II of England. For her great beauty she was known as La Belle Stuart and served as the model for an idealised, female Britannia.

  3. Frances Teresa Stewart, duchessa di Richmond e Lennox, fu un membro di spicco della Corte della Restaurazione e famosa per aver rifiutato di diventare un'amante di Carlo II. Per la sua grande bellezza era nota come La Belle Stuart e funse da modello per l'idealizzazione di Britannia.

  4. Frances Teresa Stewart, Duchess of Richmond and Lennox was a prominent member of the Court of the Restoration and famous for refusing to become a mistress of Charles II of England. For her great beauty she was known as La Belle Stuart and served as the model for an idealised, female Britannia.

  5. 4 apr 2024 · July 8, 1647. Died: Oct. 15, 1702 (aged 55) Frances Teresa Stuart, duchess of Richmond and Lennox (born July 8, 1647—died Oct. 15, 1702) was a favourite mistress of Charles II of Great Britain. She also held the title of Duchess of Richmond and Lennox.

  6. Frances Stewart (née Howard), Duchess of Lennox and Richmond, Countess of Hertford (27 July 1578 – 8 October 1639) was the daughter of a younger son of the Duke of Norfolk. An orphan of small fortune, she rose to be the only duchess at the court of James I of England .

  7. 30 ott 2022 · Frances Teresa Stewart, Duchess of Richmond and Lennox (1648-1702) was a prominent member of the Court of the Restoration and famous for refusing to become a mistress of Charles II. For her great beauty she was known as La Belle Stuart and served as the model for an idealised, female Britannia.