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Cinéma vérité (UK: / ˌ s ɪ n ɪ m ə ˈ v ɛr ɪ t eɪ /, US: /-ˌ v ɛr ɪ ˈ t eɪ /, French: [sinema veʁite] lit. truth cinema; "truthful cinema") is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda.
Cinema verite, French film movement of the 1960s that showed people in everyday situations with authentic dialogue and naturalness of action. Outstanding examples are Jean Rouch’s Chronicle of a Summer (1961) and Chris Marker’s Le Joli Mai (1963).
- The Editors of Encyclopaedia Britannica
Cinema verità è una locuzione (in francese cinéma vérité) diffusa dal sociologo francese Edgar Morin che, in un suo articolo sul settimanale France-Observateur (gennaio 1960), definiva in questo modo lo stile cinematografico dei film di Dziga Vertov, uno dei principali autori dell'avanguardia sovietica.
27 giu 2023 · Cinema verité is a style of documentary-like filmmaking that translates to “truthful cinema”, developed by Egdar Morin, and Jean Rouch in the late 1950s. These filmmakers seized the opportunities that new camera and sound technologies of the 1950s afforded.
30 ago 2021 · The term cinéma vérité (French for “truthful cinema” or “cinema of truth”) refers to a movement in documentary filmmaking that began in France during the 1960s with the film Chronicle of a Summer (Chronique d’un Été, 1961).
In the 1960s, filmmakers on both sides of the Atlantic spilled into the streets in search of cinematic truth, armed with lightweight cameras that allowed for an unprecedented level of intimacy and liberated documentary from the conventions of voice-over narration and talking-head interviews.
15 dic 2015 · Cinéma vérité (“truthful cinema”) was born in the late 1950s and early 1960s, developed independently in multiple countries as a response to the conventions of the documentary tradition.
