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Asparuch Leschnikoff ( bulgarisch Аспарух Лешников ), genannt „Ari“ (* 16. Juli [1] 1897 in Chaskowo; † 31. Juli 1978 in Sofia ), war 1. Tenor des Berliner Ensembles Comedian Harmonists . Inhaltsverzeichnis. 1 Leben und Wirken. 1.1 Kindheit und Ausbildung. 1.2 Karriere in Deutschland. 1.3 Rückkehr nach Bulgarien. 2 Privates. 3 Film. 4 Gedenken.
Comedian Harmonists (from left: Robert Biberti, Erich Collin, Erwin Bootz, Roman Cycowski, Harry Frommermann, Asparuh "Ari" Leschnikoff) The Comedian Harmonists were an internationally famous, all-male German close harmony ensemble that performed between 1928 and 1934 as one of the most successful musical groups in Europe before World War II .
Ari Leschnikoff, 1922. Asparuch Leschnikoff (en bulgare : Аспарух Лешников ), surnommé "Ari", né le 16 juin 1897 à Haskovo ( principauté de Bulgarie ) et mort le 31 juillet 1978 à Sofia ( Bulgarie ), est un chanteur bulgare qui a été le 1 er ténor de l'ensemble berlinois Comedian Harmonists .
- Asparuch Leschnikoff (Аспарух Лешников)
Asparuh “Ari” Leshnikoff. Ari Leschnikoff grew up in Haskovo and in 1916 attended a cadet school in Sofia. At the end of World War 1, he became a lieutenant. In 1922 he emigrated to Germany to study music there. To finance his livelihood, he also worked as a waiter in the Bulgarian student restaurant “Bei Kirow” in Berlin.
Ari Leschnikoff (1897–1978), primo tenore; Erich Abraham-Collin (1899–1961), secondo tenore; Roman Cycowski (1901–1998), baritono; Robert Biberti (1902–1985), basso; Erwin Bootz (1907–1982), pianista; Il loro repertorio più popolare. Creole Love Call (da Duke Ellington) Die Dorfmusik ("La musica paesana")
Home - Comedian Harmonists. The Comedian Harmonists were an internationally famous, German ensemble “boy band” that performed between 1928 and 1934 as one of the most successful musical groups before World War II. When the National Socialists seized power, the group encountered initial resistance, including abusive criticism, anti-Semitic ...
The three "Aryan" members, Biberti, Bootz, and the Bulgarian Leschnikoff, remained in Germany and adopted the Nazi-approved name "Meistersextett." In November 1935, they won official permission to call themselves "Das Meister-Sextett Früher Comedian Harmonists" (The Meister-Sextett, Formerly Comedian Harmonists).
