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  1. Autumn Durald ( Oxnard, 14 dicembre 1979 [1]) è una direttrice della fotografia statunitense . Indice. 1 Biografia. 2 Filmografia. 2.1 Cinema. 2.2 Televisione. 2.3 Video musicali. 3 Note. 4 Collegamenti esterni. Biografia. Cresciuta nella San Francisco Bay Area, Autumn Durald ha studiato storia dell'arte alla Loyola Marymount University. [2] .

  2. Autumn Cheyenne Durald Arkapaw (born December 14, 1979) is an American cinematographer . Biography. Durald grew up in the San Francisco Bay Area. She attended Loyola Marymount University and studied art history. [1] . After graduating she worked in advertising and later as a camera assistant on films. [2] .

  3. Autumn Durald Arkapaw was born on 14 December 1979 in Ventura, California, USA. She is a cinematographer and director, known for Black Panther: Wakanda Forever (2022), Loki (2021) and Teen Spirit (2018). She has been married to Adam Arkapaw since 2015.

    • January 1, 1
    • 2 min
    • Ventura, California, USA
  4. Autumn Cheyenne Shad Durald (Oxnard, California, 14 de diciembre de 1979), conocida también como Autumn Durald Arkapaw o simplemente Autumn Durald, es una directora de fotografía estadounidense. Fue la directora de fotografía del primer largometraje de Gia Coppola Palo Alto, así como de numerosos vídeos musicales y anuncios publicitarios. [1]

  5. Short film Directed by Courtney Hoffman, starring Laura Dern, Annalise Basso, Garret Dillahunt & Alia Shawkat. Shot in 35mm Anamorphic.

  6. Autumn Cheyenne Durald Arkapaw (* 14. Dezember 1979 in Ventura, Kalifornien) ist eine US-amerikanische Kamerafrau . Inhaltsverzeichnis. 1 Leben. 2 Karriere. 3 Filmografie. 4 Weblinks. 5 Einzelnachweise. Leben. Autumn Durald Arkapaw wurde als Autumn Durald in Kalifornien geboren und wuchs in der San Francisco Bay Area auf.

  7. 13 gen 2023 · Michael Kogge. The world that cinematographer Autumn Durald Arkapaw, ASC captures with her camera is not a small one. Her canvas is extensive — full of light, character and detail. She doesn’t shy away from production challenges, instead embracing the quirks and mathematics of squeeze factors, lighting management and set layouts.