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  1. Maarten Moerkerke is een Vlaams televisieregisseur. Voor D&D Productions startte hij als televisieregisseur en verfilmde hij 48 episodes van Wittekerke tussen 1995 en 1999. Van 2000 tot 2004 regisseerde hij voor 3Keys en televisiezender Canvas de Patrick De Witte-televisieseries Spike, Kijk eens op de doos, De Vloek van Vlimovost en De Perfecte ...

    • televisieregisseur
    • België
  2. Maarten Moerkerke is directing the series, which is adapted from the original French series Astrid and Raphaelle. Jo McGrath and Walter Iuzzolino are executive producer's for Eagle Eye. The writing team on the series was led by Matt Baker and also included Stephen Brady, Sarah Freethy and Daniella DeVinter.

  3. Maarten Moerkerke. Director. Second Unit Director or Assistant Director. Producer. IMDbPro Starmeter See rank. Maarten Moerkerke is known for Thieves of the Wood (2018), 13 Geboden (2017) and Wittekerke (1993). Add photos, demo reels. Add to list. More at IMDbPro.

    • Maarten Moerkerke
  4. Maarten Moerkerke is known as an Director, Creator, Writer, and Producer. Some of their work includes Professor T, 13 Commandments, Zone Stad, Deadline 14/10, True Crime Belgium, Lockdown, De Luizenmoeder, and Verborgen Verlangen.

  5. Coppers is a 13-part crime series based on the best selling detective novels by Toni Coppers and follows Liese Meerhout, head of the homicide division. In an ideal world, when a criminal commits a crime he is punished and his victim compensated. But in real life justice can be blind. Meerhout isn’t fooled by appearances, however.

  6. Maarten Moerkerke: Starring: Matteo Simoni Stef Aerts: Country of origin: Belgium: Original languages: Dutch with some French and German: No. of seasons: 1: No. of episodes: 10: Production; Producer: Dirk Impens: Editor: Mathieu Depuydt: Camera setup: Dries Delputte: Production companies: Menuet Proximus vtm: Original release ...

  7. ONTSPOORD. DERANGED Six standalone stories inspired by famous criminal cases that shocked the Belgian society. The stories didn't aim at reconstructing or explaining the crimes but were, by fictionalizing them, merely an attempt to look into the assumed or alleged mind of the culprit.