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In the 1930s, she joined a Marxist study group, where she met her future husband, artist Taro Yashima. She and her husband painted farmers and laborers, and participated in exhibitions of art that critiqued Japan's military expansion and the government's increasingly heavy handed suppression of dissent. [2]
11 set 2018 · Published Sept. 11, 2018. One remarkable Japanese American story is that of the epic and tragic partnership of Taro and Mitsu Yashima, an extraordinary couple of artists and freedom fighters. Together they survived years of hardship—imprisonment, exile, poverty, and illness—and made a name for themselves as authors and illustrators.
16 giu 2020 · Innoshima, Japan. Generational Identifier. Issei. Mitsu Yashima (1908-88) was an illustrator and watercolor and oil painter, best known for her collaborative work with husband Taro Yashima on the popular children's books, Plenty to Watch (1954) and Momo's Kitten (1961).
- A Young Artist and Imperial Japan Dissident
- Settling in America and Joining The Oss
- The Post-War Years: A Return to Art
Mitsu Yashima (born Tomoe Sasako) was born on October 11, 1908 in Innoshima, Japan. From an early age, Mitsu had a passion for art and pleaded with her father to allow her to pursue studies in art until he finally relented. Mitsu first enrolled in Kobe College in Nishinomiya, Japan before going on to study at the Bunka Gakuin in Tokyo in 1926, wher...
Mitsu and Taro were scraping by as poor art students in Manhattan on December 7, 1941, the infamous day of Japan’s surprise attack on Pearl Harbor. The United States soon declared war on the Empire of Japan, leaving the couple torn between love of their homeland and desire to serve their new country. Mitsu would later recall, “I felt conflicted abo...
The U.S. granted Mitsu and Taro permanent resident status after the war ended because of their service to the country. They were also able to bring their son, Mako, to the States to join Momo, his baby sister. Mitsu and Taro then worked together on a number of creative projects, including some top-selling children’s books. A few revolved around the...
By this time, he and wife were unofficial political refugees in the United States. Just as The New Sun described, Taro and Mitsu Yashima—or Jun and Tomoe (nee Sasakō) Iwamatsu, as they were then known—were arrested several times for their artwork opposing Japanese imperialism and fascism.
- Naoko Shibusawa
THE STORY OF CROW BOY explores the intriguing life story of Taro and Mitsu Yashima who wrestled with human brutality, racial discrimination, and the ravages of WWII to build work of social conscience, compassionate insight, poetic visual form, and ultimately – of joy.
Yashima and his artist wife, Mitsu, left Japan in 1939 and came to the U.S. to continue their study of art at the Art Students League in New York City. When war was declared against Japan, they joined the war effort on behalf of the U.S.
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