Yahoo Italia Ricerca nel Web

Risultati di ricerca

  1. 14 mag 2024 · The first of Sir Edward Elgar's "Pomp and Circumstance" marches opus 39, better known to most people by the lyrics set to the trio (1:58 bar 77, and 5:47 bar 222) by Arthur Benson "Land of Hope and Glory".

  2. 1 giorno fa · Category: LIGHT CONCERT MUSIC. Elgar was fond of the march "form", his first work to catch the public ear was the Imperial March written in 1897. His Pomp & Circumstance marches appeared over a period of about thirty years. Nos 1 & 2 in 1901, No3 in 1905, No4 in 1907 and No5 in 1930.

  3. 4 giorni fa · POMP and CIRCUMSTANCE MARCH No.1 - Parts & Score, MARCHES. Elgar's Pomp & Circumstance March No. 1 was completed in July 1901 although the 'big tune' actually dates from earlier in that same year. It was premiered in Liverpool by its dedicatees, the Liverpool Orchestral Society, on the 19th October.

  4. 18 mag 2024 · Breathe easy. Returns accepted. Shipping: GBP 21.56 (approx US $27.38)SpeedPAK Economy. See details. Located in: East Hanover, NJ, United States. Delivery: Estimated between Mon, Jun 24 and Wed, Jul 24 to 98837. This item has an extended handling time and a delivery estimate greater than 28 business days. Returns: 30 days returns.

  5. 27 mag 2024 · POMP & CIRCUMSTANCE MARCH No 1. in D - Parts, FILM BRASSED OFF, MARCHES. Availability Available. Quantity. Cat No. JM30627. Price £32.95. Composer: Edward Elgar. Arranger: Ord Hume. Categories: FILM BRASSED OFF, MARCHES. Please note that there is no score published with this work.

  6. 21 mag 2024 · The “Pomp and Circumstance Marches,” composed between 1901 and 1930, showcase Elgar’s exceptional skill in crafting grand ceremonial music. Set within the broader context of Edwardian Britain, these marches exude patriotic fervour and capture the zeitgeist of a nation on the brink of change.

  7. 27 mag 2024 · Holst – A Shootout Years in the Making, and We Got It Wrong Anyway. More of the music of Gustav Holst (1874-1934) Reviews and Commentaries for The Planets This is a VERY old commentary providing the evidence for just how wrong we were about the sound of Steinberg’s 1971 recording for DG.